Germany Has Produced Great Cinema. But It’s Been A While And Germans Are Asking Why

“To be fair, whinging that no German cinema movement has proved as influential or productive as the New German Cinema movement circa 1962-1982ish is bit of a non-starter, as one could argue that no national cinema movement since has proved as influential or productive as the New German Cinema. But if there’s no worthwhile national film culture in Germany, if German films have no future, then why do Berliners seem to go ga-ga for their annual film fete?”

TV (Unlike The Movies) Has Figured Out That Diversity Is Smart Business

“TV audiences for everything are smaller now, which means networks aren’t programming each show for an imagined audience of tens of millions of white people. On top of that, there are younger viewers for whom diversity — racial, religious, sexual — is their world. That audience wants authenticity; advertisers want that audience.”

‘The Only Thing We Know Is That We Have No Clue’: Eight Oscar Nominees On Awards Season

“From an upstart ingenue like Alicia Vikander, tapped for Best Supporting Actress for The Danish Girl, to a veteran producer like Steve Golin, who has two films (Spotlight and The Revenant) competing for Best Picture; from a writer like Andrea Berloff, who co-scripted the unexpected blockbuster Straight Outta Compton, to documentary director Liz Garbus, nominated for her defiant and heartbreaking What Happened, Miss Simone?, all the assembled were equally eager to share their insights about the craziness (and necessity) of Oscar campaigning.”