Wesley Morris: “What would an American version be? Court, theater, a hearing, a telethon, therapy, TV, church, Ken Burns, Anna Deavere Smith? Each perhaps — and more. Who would make it? I don’t know…. The production, however, is merely the second hurdle to clear. The first would be convincing executives that it’s worth doing in the first place. Here’s what to say about that: The entertainment industry itself has more than a century of harm to atone for and ameliorate. Any company that believes the solution to ‘systemic racism’ is The Help shouldn’t mind a surrender of its airwaves.” – The New York Times
Category: media
‘Independent Cinema, As We Know It And As We Love It, Is Over’
Director and producer Oren Moverman: “The idea of independent financing, putting together films that have no home, taking them to festivals, trying to sell them — they’re going to have to take on a very different model, if they get made. A lot of producers I talk to are looking to set up projects with the streamers, the studios, whoever’s going to be left standing. Whereas the sort of grungy putting together of ten dollars here, ten dollars there to make a film — it’s possible from a financial standpoint, it’s just a question of where it will ever be seen.” – Variety
Five Lessons From This Year’s Emmy Nominations
Who can blame voters for wanting to escape? The last year has been a wrecked clown car inside a dumpster fire that’s riddled with the plague. Series that deal with today’s ugly reality through a sci-fi or comic-book lens are a fine way of working through tough issues without subjecting oneself to the here and now. – Los Angeles Times
AMC Theatres Makes Deal For Quicker Video Releases
In a stunning reversal, AMC Theatres has struck a historic agreement with Universal that will allow the studio’s movies to be made available on premium video-on-demand after just 17 days of play in cinemas, including three weekends, the two companies announced Tuesday. – The Hollywood Reporter
Black Voice Actors: Yes, There’s Been Progress, But Not Nearly Enough
“The sudden rise of calls for color-conscious casting comes after years of criticism about whitewashed roles. But while many Black voice actors are glad to see white actors leaving roles where they played characters of color … they believe more meaningful changes are needed for truly equitable hiring.” – Vulture
Think TikTok Is Ultimately Too Silly To Matter? Think Again
“The ubiquitous app built on short video clips seems frivolous at first, with its lip-synching, dance challenges and goofball celebrities. But this is how a rising generation communicates across the globe.” (It is also, writes Daniel Malloy, “the uncut heroin of social media apps.”) “And the app — thanks to its obscenely valuable Chinese parent company — now is at the heart of geopolitical strife between the world’s biggest powers. Today’s [OZY] Sunday magazine explores TikTok’s rise, its addictive joys, its challenges and what will replace it if it crumbles.” – OZY
This Year’s Emmy Nominations
Netflix dominated the 72nd Emmy Award nominations on Tuesday, breaking the record for the most nominations ever, and a newcomer to the streaming universe, Disney+, scored a nomination in a big category for “The Mandalorian” in yet another sign of the growing importance of digital technology to Hollywood. – The New York Times
UK’s Sky Arts Channel Goes Free, All Arts
The move to Freeview, the digital network free to all UK residents, has been under discussion for years and is motivated by “a passion to get as much content to as many people as possible and make it more accessible”. But Sky Arts “isn’t a ratings-driving channel. We’re there to be a bit more experimental. We’re there to help nurture new talent and find new voices; new creative voices… The call out that we’re doing today, as we’re launched as free to air is: ‘Artists, what would you do if I gave you the channel for 24 hours to do with what you will?’ – The Art Newspaper
Regal Cinemas Says It Will Reopen In August
Along with AMC and Cinemark, Regal closed down U.S. sites in mid-March due to the COVID-19 pandemic — which profoundly altered the spring and summer slate. “Wonder Woman 1984” was moved to October and James Bond title “No Time to Die” has been slotted for November while many major titles have been taken off the schedule, gone out on streaming services or dated for 2021. – Variety
Hollywood Finally Gives In – Will Release Big Movie Outside US First
Warner Bros. finally acknowledged reality: The U.S. is simply not ready for big films to return, and the country has lost its position as the most important movie market in the world. – The Atlantic
