YouTube – Designed To Addict (But To What?)

The burning question, at this point, is whether this recommender system can reliably lead users down epistemically problematic rabbit holes. In other words, is it possible to discern a pattern in YouTube’s AutoPlay system that takes users from ABBA to lizard people? This becomes especially significant when you consider that 70% of all watch-time spent on YouTube is due to videos suggested by the recommender system. – 3 Quarks Daily

James Murdoch Has Resigned From The News Corporation’s Board

Rupert Murdoch’s son James, who has championed environmental causes and helped force out Bill O’Reilly at Fox after the host’s past with sexual harassment came into the open, “abruptly resigned from the board of his father’s publishing company Friday, signaling an acceleration in family tensions over the tenor and politics of its far-flung media empire. “- Los Angeles Times

Why Is Netflix’s ‘Most Watched’ List Such A Wasteland?

Whew: “If HBO’s Game of Thrones was the last great piece of TV monoculture, then the pandemic has popularized a series of forgettable productions that each offers a fleeting, miniature facsimile of communal attention. Absent the usual summer blockbusters, and with few prestige shows rolling out new episodes, the landscape of American entertainment is barren enough for C- shows and movies to rack up the viewership of B+ productions, if not the associated enthusiasm.” – The Atlantic

We Might Look Back On This Time As The Year Of Neverending Remakes

Classic Hollywood movies are getting spitshined and put out again, so why not video games as well? “‘Nostalgia is the major driving force for the success of a remake,’ said Doug Clinton, managing partner for the venture capitalist firm Loup Ventures, which focuses on emerging technology and gaming. ‘Any game that doesn’t have meaningful nostalgic value isn’t likely to be successful.'” Give us anything but 2020. – The New York Times

The Radio Audience Has Changed In The Pandemic. But Radio doesn’t Seem To Have Changed

When I pop around and listen to public radio streams from around the country, they almost universally sound like they did before the pandemic started. Same with the programs themselves. Things have changed topically, but not formatically. The audience dynamics have completely changed, so why hasn’t the stations’ sound? – Current