The Chinese Billionaire Who Wants To Take Over The Global Movie Business

Since acquiring AMC Entertainment, the second-largest cinema chain in the US, for $2.6bn in 2012, Wang Jianlin, who is worth an estimated $32.5bn and has ties to the communist Chinese government, has been aggressively staking his claim on the industry. So far, he’s snapped up Europe’s biggest cinema group, Odeon and UCI, purchased the US production house Legendary Entertainment (the company behind the Dark Knight trilogy and Jurassic World), and boasted that he intends to soon buy one of the six major US studios.

Why Do People In Old Movies Talk Funny?

As you probably noticed for the first time while watching TV late at night, actors in the Hollywood films of the ’30s and ’40s did not speak the way actors do now. That wasn’t because you were stoned; the elocution style really was different – for public figures in real life as well as in fiction films. (Think of FDR’s speeches.) Linguist John McWhorter explains why. (podcast)

Russia Today’s Bank Accounts Shut Down; UK Denies Kremlin’s Accusations Of Censorship

“RT’s editor-in-chief, Margarita Simonyan, … said she had received a letter out of the blue from NatWest saying that it was pulling the plug on the broadcaster’s accounts from mid-December. ‘We have recently undertaken a review of your banking arrangements with us and reached the conclusion that we will no longer provide these facilities,’ it said.”

We Don’t Seem Bothered By Movie Violence. But Why Do We Think It’s Entertaining?

“The colossal body counts of action blockbusters are incapable of rousing our concern. The vivisections of the torture porn genre we can endure with nary a wince or grimace. We’re unmoved by bloody fisticuffs, unruffled by cities levelled en masse, forever unperturbed by peeled-eyeball gorings. Violence, in the movies at least, has a tough go of actually bothering us. So what about it does?”