I Was An Extra In A North Korean Propaganda Film

“In 2013, Australian documentarian Anna Broinowski was granted a rare chance to research North Korea’s cloaked and powerful propaganda film industry. … [This excerpt] from her book Aim High in Creation! chronicles the bizarre final days of Broinowski’s North Korean film production boot camp, when she was unexpectedly cast as an ‘evil American wife’ in a film about the 1968 capture of the U.S. spy ship, the Pueblo.”

What Movies Sold At Sundance, And Why Some Of Them Might Actually Succeed

Well, this is cheery: “Judging by the totals in Park City this year, buyers are feeling optimistic. Very optimistic. Whether it’s traditional players like Searchlight and Sony Pictures Classics, newer movers-and-shakers such as Amazon and Netflix or even upstarts like Neon and FilmRise, wallets have been opening up over the last week at Sundance.”

Some Upsets, And A Lot Of Political Speeches, At The SAG Awards

The response to Friday’s immigration and refugee orders came fast at the awards show in LA: They “kicked off with Ashton Kutcher welcoming viewers and ‘everyone in airports that belong in my America. You are a part of the fabric of who we are. And we love you and we welcome you.'”

Critical Consensus: Here’s The Best Movie At This Year’s Sundance Festival

“It’s easy to caricature the festival — earnest docs, white-people-problem ensemble dramedies and the like — yet Sundance often proves itself capable not just of launching interesting careers, but also of nudging the needle forward when it comes to onscreen diversity and representation.”

Comcast Defies Cable Industry Trend And Adds Customers

“The Philadelphia cable giant achieved a milestone in a sea of industry turbulence, adding a net 80,000 cable TV subscribers in the fourth quarter and 161,000 for the full year — defying the trend of customer cord-cutting that has concerned Wall Street. Comcast now has nearly 23 million cable TV subscribers, gaining on rival AT&T.”

The Hollywood Black List Everyone Wants To Be On

“The Black List [is] an anonymous survey in which industry professionals name the scripts they liked the most that year. [It] was started in 2005 by a 27-year-old film executive from west Georgia named Franklin Leonard, and has become an influential index of the most original and well-written – if not the most bankable – screenplays in Hollywood. Its power to launch careers and expedite projects is astounding.” (print and podcast)