How Big Tech Is Ushering In The Third Wave Of Video Entertainment

“Just as the cable revolution overturned broadcast, the net is destined to become the dominant mode of video, both in terms of transit and programming. The cable industry is seemingly protected by its built-in local monopolies, but as broadband connections proliferate—by now rendering the copper cable connection almost obsolete—the only thing propping up the status quo is a business arrangement that bundles channels together for a steep price. As more people cut the cord—and as smaller bundles become more popular—we will reach a tipping point that sees the collapse of cable.”

Netflix Is A Player. But Does It Have An Aesthetic?

“Sensibility? Aesthetic? Identity? Netflix ain’t got time for that. Its story started out as one of revolution, which has instead been overtaken by a case of quantity over quality. Now, rather than being known for a house style or a tastemaking effect on popular culture, it is becoming known for its raw desire to win the race, bragging about its latest deals (Shonda Rhimes! David Letterman!) and conquests.”

Can Twitter Be An Engine For Fan-Sourced Movies?

“At their core, these Twitter-generated film concepts evince a desire for representation beyond Hollywood’s limited, predominantly white imagination. But while Black Twitter continues to be an unprecedented vehicle for creativity—and, increasingly, a reliable form of audience focus-testing for Hollywood—can a viral fancasting phenomenon like this realistically change the industry’s status quo?”

Mark Wahlberg Tops This Year’s List Of Highest-Paid Movie Actors

The Boston native recorded his highest-ever payday thanks to soaring fees for movies such as Transformers: The Last Knight and the forthcoming Daddy’s Home 2. The former may have scored a miserable 15% rating on Rotten Tomatoes and the lowest gross of the franchise to date, but Wahlberg need not worry–fixed compensation means he benefits even when movies don’t do well.

Studios, Networks Negotiate On Releasing On-Demand Movies While They’re In Theatres (Maybe Not)

Apple could also eventually join Netflix and Amazon as a threat, but for now, the studios have cast the Cupertino colossus as a PVOD savior. Accelerating the window on movie transactions doesn’t have the importance of, say, iPhone 8, for Apple, but it’s not a trivial matter, either. Coming days after the company made clear its intent to spend $1 billion on original programming, premium VOD would provide just the kind of boost Apple needs to follow through on CEO Tim Cook’s pledge to double the size of the services business in which its content-related efforts are house by 2020.

Here’s What TV Actors In Hollywood Make

Among the winners in the past year on the drama side were Robert De Niro, who is in line to receive an eye-popping $775,00 per episode for the untitled Amazon drama series from director David O. Russell. Other big gainers include “Shameless” stars Emmy Rossum and William H. Macy and the “Ozark” duo of Jason Bateman and Laura Linney.