The Remarkable Laziness Of Woody Allen (And Why His Reputation As A Director Survives It)

“Allen’s stature as an important filmmaker (unlike his personal reputation) has proved surprisingly sturdy – despite the withering self-assessments he offers every so often. In an interview during the filming of Match Point, he described himself as ‘functioning within the parameters of my mediocrity,’ and went on to note that if he were ever to make another great film, it would be ‘by accident.’ False modesty? Some, no doubt. But we would do best to take his words at face value.” And yet, writes Christopher Orr, “Allen’s reputation depends in no small part on the very indolence that undermines so many of his films.”

Attack Of The Killer Tomatoes: Hollywood Blames Review Website For Its Rotten Summer

Rotten Tomatoes has become the enemy for many studio bosses, writes Brooks Barnes: “Over lunch last month, the chief executive of a major movie company looked me in the eye and declared flatly that his mission was to destroy the review-aggregation site.” The site’s editors claim they love movies and movie fans and just want to help them. “How did a clunky website that has been around for 19 years amass such power?” Barnes explains how.

Summer Movie Box Office Was Terrible. But Hollywood’s Not Too Worried

Even so, studios are unlikely to shift gears anytime soon. Overseas audiences continue to devour what Hollywood serves up. And many studio executives dismiss the recent slump in North America, which remains the world’s No. 1 movie market, as a normal part of a cyclical film business. Box office behemoths, they insist, are just around the corner.

Summer 2017: Movie Box Office Disaster. TV? It’s Doing Just Fine

“By the time Labor Day weekend wraps, summer box-office revenue is expected to finish at $3.78-billion [U.S.], down 15.7 per cent over summer 2016, according to comScore. That’s the steepest decline in modern times, eclipsing the 14.6 per cent dip in 2014. It will also be the first time since 2006 that revenue didn’t clear $4-billion.” Further, to no one’s surprise, the value of stock in companies that own theatre chains in the United States has collapsed – Regal Entertainment has seen shares plunge 28 per cent, while AMC Entertainment dropped 45 per cent. Meanwhile, television, even broadcast TV, is doing fine. It’s not a matter of across-the-board revival for the networks.