‘King Of The B-Movies’ Roger Corman Sued By Sons Over Film Archive

“The sons, Roger and Brian, claim that the sale of 270 films under their father’s New Horizons Picture Corp banner – which they refer to as ‘stolen film properties’ – violated an irrevocable trust agreement that would have provided them and their two sisters with $30 million-$40 million each. They are also suing [purchasers] Ace Film and Shout! Factory, claiming they ‘knew or should have known that the purported sale of the New Horizons catalog included film properties owned by the trust.'”

Reckoning With The Wreckage On Reality TV

“The obvious question to bring up here is: Are we complicit? ‘We’ meaning you and me but also, in that awful think-piecey way, standing in for the culture. Sure. I suppose we are complicit. The attention given to sociopaths, and the public pain that results from the potent mixture of attention and sociopathy, exists only because there are reliable consumers who enjoy the cocktail. And then we wait for more of the same, so more of the same is provided.”

Do “Roseanne’s” Big Ratings Mean Anything About The Future Of TV Comedy?

Much of the analysis that followed focused on the show’s politics: Star Roseanne Barr is an eager champion of debunked right-wing conspiracies, and the premiere’s storyline hinged on her character’s support for President Donald Trump. And since the 2016 presidential election, television programmers have been working to find ways to reach working-class whites who voted for Trump. The success of “Roseanne” only reaffirmed those efforts. But looking ahead to 2018-19, “Roseanne” may be a harbinger of a less titillating, more significant programming shift — the revitalization of the broadcast comedy after years of emphasis on drama.