What White-Girl Coming-Of-Age Movies Don’t Do For A Black Girl

Zoé Samudzi: “In general, though, these films about white female adolescence and teenhood revolve around particular experiences of and meditations on dissatisfaction and boredom, using nostalgia as their primary pull. And yet for me, their projections of high school misery and endless summers only served as a reminder that Black girls are never afforded the kind of ordinariness that would make them relatable to white audiences.”

U.S. Public Radio And TV Are Raising More Money Overall, But Smaller Stations Are Falling Behind

“On the positive side, the overall trend is growth. Radio revenues are up 18 percent to $1.03 billion, according to Moustapha Abdul, CPB’s director of station analysis. TV revenues grew 10 percent to $1.27 billion. But a closer look reveals that revenues actually dipped 4 percent among 194 radio grantees with annual budgets of less than $1 million and 5 percent among 75 TV grantees with budgets under $5 million.”

How Weegee Changed ‘Dr. Strangelove’

It would seem odd enough that the photographer was on Stanley Kubrick’s set at that point in his career. (Weegee had been working on three “Z-grade” movies just before.) But it turns out the two camera wizards knew each other from the beginning of Kubrick’s career. Not only did Weegee take still photos of the ‘Strangelove’ film shoot, he had a huge effect on Peter Sellers’s portrayal of the title character. (He also shot images of Kubrick’s absolutely ridiculous original ending of the movie.)

Study: Here’s What The US Movie Business Looks Like

“In 2016, 736 films were released in US cinemas – more than double the number in 2000,” PwC notes. PwC predicts that box office revenue will continue to rely on a small number of big-budget studio “tentpole” and franchise movies, with the most successful accounting for a huge portion of overall receipts. It only takes one or two of these blockbusters to (say, Star Wars: The Last Jedi or, more recently, Black Panther) to keep revenue stable.

Video Game Stars Are Earning More Than Pro Athletes

In less than a decade, the realm of professional sport has been taken by storm by the rise of eSports (short for electronic sports). These video game events now compete with — and in some cases outperform — traditional sports leagues for live viewership and advertising dollars. For the top eSports players, this means sponsorship contracts, endorsements, prize money and yes, global stardom.

How ‘Killing Eve’ Made Itself Into Appointment TV (In An Age When There’s No Such Thing)

“If the always-streaming, everything-on-demand state of TV right now has taught viewers anything, it’s that very little about television is urgent. Sure, there are still a few watercooler shows, and events like the Oscars or the Super Bowl require real-time viewing, but everything else can be watched on an I’ll Get to It When I Get to It basis. Short of one’s peer group pressuring them into watching something right now no one feels they have to be caught up on everything. Killing Eve, however, was different.”

Prop Masters Who Made Fake Money For Film Shoot Tried In Hong Kong For Counterfeiting

“The question, local cinephiles say, is why the police even bothered to seek charges. They say the case illustrates how onerous rules are needlessly hampering a local industry whose golden age of Bruce Lee kung fu films and Wong Kar-wai dramas seems long past, and which is now struggling to compete against rising competition from studios in South Korea and mainland China.”

A ‘Roseanne’ Writer’s Assistant Explains What It Was Like To Work On The Reboot

OK, sure, here was the plan, according to one writer: “These are the conversations we’re having at home with our families, and we wanted to bring that tolerance, because you can’t have tolerance without understanding. That’s what we wanted to provide. I loved that. America needs help right now, and that’s all we were trying to do.”

Depressing Pride Month Update: Movies Had Less LGBTQ Rep In 2017 Than The Five Years Before That

What the heck, 2017? “In 2017, out of 109 major motion pictures, only 14 films included characters who identified as LGBTQ. In total, the year’s major studio films had 28 LGBTQ characters. This finding represents a 5.6 percent drop in representation from the films of 2016. Gay men, the report finds, are consistently the most-portrayed demographic. None of the movies released this year featured a transgender character.”