Why Are There So Few Movies About Middle School?

Films and filmmakers mythologize coming-of-age stories in all kinds of ways, ways that focus on the magic of whatever change or reference point young adults make their way into the adult world. But middle school isn’t like that. “It’s incredibly difficult to mythologize, or at least to do so with any kind of light. It’s far too awkward and irredeemable a time.”

What Does The Almost Rapturous Critical Embrace Of Mamma Mia 2 Say About How We’ve All Changed Since The First, Deeply Vilified, Movie In 2008?

Things have really, deeply changed: “Warming towards Abba reflects a critical embrace of pop culture over the last decade. ‘Poptimism’ has meant that art that was once dismissed for being lightweight, feminine and glittery is now subject to critical close-readings that combine academia with fannish enthusiasm.”

We’re In Another Stephen King Media Renaissance, This One From The Generation Who Grew Up On Him

“King’s enjoyed numerous renaissances since Carrie put him on the map in 1973 — the era following Brian De Palma’s 1976 film adaptation; the early ’90s one-two punch of Misery‘s Oscar win and Tommy Lee Wallace’s It miniseries; the two-year spell at the turn of the millennium when he dropped the final three Dark Tower books. This one, however, is markedly different than those that came before, due not only to its scale and scope, but also because it’s unfolding in a generation that’s succeeded at both commodifying and intellectualizing nostalgia.”

How ‘Sorry To Bother You’ Found (And Used) Its White Voice

The premise of director Boots Riley’s movie is the largely unearned success that the black characters gain when they use a “white voice.” And, as Danny Glover’s character tells his young telemarketing colleague, “I’m not talking Will Smith–white. I’m talking about the real deal” — meaning with dubbed-in dialogue spoken by white actors sounding their absolute whitest. Hunter Harris reports on how Riley came up with and implemented the idea.

Creator Of ‘The Simpsons’ Talks To The Times About Apu

“Well, I love Apu. I love the character, and it makes me feel bad that it makes other people feel bad. But on the other hand, it’s tainted now — the conversation, there’s no nuance to the conversation now. It seems very, very clunky. … I think particularly right now, people feel so aggrieved and crazed and powerless that they’re picking the wrong battles.”