This Year’s Golden Globes Nominee List

“Vice,” Adam McKay’s scathing Dick Cheney biopic, walked away with a leading six nominations. The Hollywood Foreign Press Association, the organization behind the Globes, also awarded “A Star Is Born,” “The Favourite,” and “Green Book” with three nods apiece. On the television front, “The Assassination of Gianni Versace” picked up four nominations. “Barry,” “The Kominsky Method,” and “Homecoming” scored three nominations, as did “Sharp Objects,” “The Marvelous Mrs. Maisel,” and “A Very English Scandal.” – Variety

MoviePass Tries To Get Itself Back Together With An Overhauled Pricing Model

“Despite becoming a trending topic for all the wrong reasons, the company that once planned to be the Netflix of moviegoing believes it can win back the trust of its customers after a bumpy year that’s led to a wave of articles predicting its imminent demise. … As part of that effort a chastened MoviePass is unveiling a new series of monthly plans, the prices of which will vary depending on geography.” — Variety

Tumblr’s Porn Ban ‘Isn’t Just A Blunt Solution, It’s Counterproductive’

Comparing the platform’s decision to “hammering a nail with a skyscraper, only to have it slip through an open window,” April Glaser argues that “what banning ‘adult content’ will do, however, is eradicate one of the few mainstream, safe, and non-taboo places where people could participate in communities that openly congregate around sex and sexuality.” — Slate

How ‘Creed’ Has Changed The Entire ‘Rocky’ Franchise

“The director Ryan Coogler’s 2015 film, … was an act of subversion by Coogler and his co-writer Aaron Covington, and an oddly moving act of humility by Sylvester Stallone, who allowed his career-defining character, an avatar of white masculinity, to be transformed into a vehicle of redemption for Creed’s black protagonist — a role traditionally played by black actors [for white protagonists]. … This is how the meaning of the series itself, particularly the first four films, changed: from the story of an indomitable white boxer, to one about the roots of a friendship that created a debt Rocky must repay.” — The Atlantic

‘The Tinder Of Television’ — The Advantages And Problems Of Anthology Series

“One of the biggest criticisms of the Peak TV era is the phenomenon of Netflix Bloat. We’ve all constantly got so much good television to watch that we’ve become much less tolerant when serialised programmes take their foot off the . … But with an anthology series, you can just dip in and out.” Problem is, “by their very nature, anthologies are notoriously patchy affairs. Every episode requires a brand new idea, and good ideas are hard to come by.” — The Guardian

How ‘Peak TV’ Is Hollowing Out TV Criticism

“Faced with a thickening glut of television, critics produce fewer negative reviews. With limitless A- and B+ programs available to overpraise, why trash a B-, let alone an F? This results in the expectation, on the part of the critics themselves, that the shows they write about must be aesthetically interesting or, at the very least, culturally urgent. Such endemic self-flattery leads, inevitably, to a weakening of their critical language.” — The Baffler