Until now, the only tools for telling how long users actually listened to the podcasts they downloaded were the proprietary ones of Apple and Spotify. So NPR developed an open-source tool to get data beyond download figures. But with the privacy scandals that have broken over the past year, some podcasters are leery. — Columbia Journalism Review
Category: media
Screen Addiction? Yeah We’re Worried. But Should We Be?
If there’s one thing that gets lost most consistently in the conversation over alluring technology, it’s that our devices contain multitudes. Time spent playing Fortnite ≠ time spent socializing on Snapchat ≠ time spent responding to your colleague’s Slack messages. – Wired
What It Means To Disconnect From Facebook
Slate spoke with a small group of people who had publicly declared they planned to #DeleteFacebook. Most were successful, though some find themselves back on the site from time to time. Their stories demonstrate that reducing exposure to Facebook does not necessarily mean deleting an account, but that taking the extra step makes it easier to avoid falling back into the trap. – Slate
Protestors Demand Disney Drop Trademark Of Swahili Phrase ‘Hakuna Matata’
More than 52,000 people so far have signed a petition accusing Disney of “colonialism and robbery” after it trademarked the phrase (which means “no worries”) in connection with the upcoming release of the live-action remake of The Lion King. — The Guardian
After Tumultuous Year, New York Public Radio President Laura Walker To Step Down
In a memo to staff, Walker said that “the Board and I have agreed that the time has come for me to move on.” (Her contract was due to expire in June; she steps down at the end of March.) Over 23 years, Walker presided over extraordinary growth at WNYC, the US’s largest public radio outlet, but a series of scandals and controversies over the past year led to more general criticism of her management style and extremely high pay. — Current
Why There Are So Many Of Those Cheesy Christmas Movies
This, when uttered in the context of a Hallmark holiday movie, is a beacon to the Christmas spirits, who know one thing, and pretty much one thing only: No one should simply muddle through the holidays. Whether you celebrate Christmas or not — however you find meaning in the time of year that these movies shorthand as “the season” — the ideal, these films insist, is unmitigated joy. — The Atlantic
Too Big, Too Well-Funded And Too Scared: A BBC World Service Veteran On Why The Network Is Becoming Sclerotic
Owen Bennett-Jones writes that the network is now so top-heavy with senior managers who are terrified of negative public attention that it takes months to get a project approved — and that reporters who have serious stories to break are sometimes reduced to leaking them to The Guardian or The Times because their managers will only feel comfortable broadcasting those stories if they’ve seen them in print. — London Review of Books
Steven Spielberg Is Expanding His Shoah Foundation To Cover Genocides Beyond The Holocaust
“The Holocaust cannot stand alone. We decided to send our videographers into Rwanda to get testimony. From there we went to Cambodia, Armenia — we’re doing a critical study in the Central African Republic, Guatemala, the Nanjing massacre. Most recently, we’re doing testimony on the anti-Rohingya violence in Myanmar and the current anti-Semitic violence in Europe. We’re expanding our scope to counter many forms of hate.” — The New York Times
Remember Infomercials? They’ve Got More In Common With Apps Than We’d Like To Think
Ernie Smith gives a brief history of the very American phenomenon, from its 1949 birth (pitching Vitamix blenders, actually a legit product) through the Psychic Friends Network and Miss Cleo. “In a lot of ways, the modern app-store ecosystem shares much in common with the televised grift that many vintage infomercials specialized in. The difference, of course, is scale and intent.” — Tedium
The Most Difficult Special Effect I Ever Got On Film (Or Didn’t Quite)
“We spoke to 35 filmmakers — directors, cinematographers, effects artists — about the toughest effect they’ve ever pulled off. The resulting stories run the gamut from the computer-generated to the practical, the spectacular to the subtle, and all of them remind us of the sweat that goes into making movie magic.” — Vulture
