From a critical remove, streaming is a strangely liminal space, one not yet secure in its place in the media landscape. It’s a land of opportunity and nonsense, a media format beyond its Wild West stage yet not quite formed into something that can be subjected to mainstream media analysis. Streaming is a place for big-time, multi-million-dollar celebrities. It’s also a place where marginalized people form communities around games and people they love, where niche gaming communities like speedrunning can grow healthily. – Wired
Category: media
The BBC’s Film Critics Show On TV Goes Bust
The BBC has promised to replace Film with another show, but the challenge is how do you cover movies for a BBC One audience? The problem the BBC has is that movie broadcasting has been subject to a populist online revolution.
Britain’s Film Industry Is Thriving Just Now, But They’re All Afraid Brexit Will Wreck It
“If there are members of the UK cinema community who think Brexit is a good thing, they are all but impossible to find. Actors and film-makers were virtually unanimous in their advocacy of the remain campaign before the 2016 referendum. They still are, but now they are, at least, resigned to the reality of Brexit, as much as any industry can be.” — The Guardian
‘On The Basis Of Sex’, The Ruth Bader Ginsburg Biopic, Was Very Much A Family Affair
The justice’s nephew, Daniel Stiepleman, wrote the script; her grandson has a part; her daughter reviewed drafts of it, as did RBG herself. (“As if it were a contract.”) As Jane Ginsburg said, “There wasn’t going to be a movie, at least not by [Stiepleman], if my mother wasn’t comfortable with it.” — The New York Times
Turkish TV Is Hot. But Can It Export Internationally?
The shows are a phenomenon in the Middle East and Latin America, and have become such a symbol of Turkish soft power that they have been used as counters in political disputes. On March 1, for instance, the Saudi Arabia-based satellite broadcaster MBC abruptly dropped all Turkish drama, cutting off some shows midseason, apparently in response to Turkish support for Qatar. – The New York Times
A Record Year Worldwide For Movie Box Office
That would mark a healthy 2.7% gain from last year, with most of that hike coming from North America. Year-end projections released Thursday by Comscore predict that domestic grosses will hit $11.9 billion, a 7% increase from 2017. International grosses look to reach $29.8 billion, a 2.7% bump compared to the previous year.
2018: More TV Than Ever (And It Just Keeps Expanding)
Television, already bursting at the seams with peak programming and lots of filler, finally blew apart this year, fragmenting into a dizzying constellation of nearly 500 new original series and destinations we’ve yet to explore
The Art And Science Of Hollywood Prosthetics (Or, How Christian Bale Was Metamorphosed Into Dick Cheney)
“Bale’s startling transformation is just the latest step forward in Hollywood for a booming prosthetics industry. For years, prosthetics were deep in the uncanny valley, making actors who wore them look not quite human, but recent advances in materials and expertise have allowed artists to create remarkable likenesses.” — The New York Times
Signs Streaming Isn’t Killing Movie Theatre Business
Movie-ticket revenue in the United States has risen 8 percent in 2018. That puts the industry on track for the largest year-to-year increase of the domestic box office in nearly a decade — and suggests that, surprisingly, theaters can more than hold their own in the age of widespread at-home entertainment. – Washington Post
Record Year For Movies At The Box Office
It got more expensive to go to the movies, and ticket prices hit a new high, averaging $9.38 over the summer. But it’s not just the rising cost of admission accounting for the surge. Attendance is also up over 4% from last year. – Variety
