Small gains were made in other key behind-the-scenes positions, the study found. Women accounted for a greater percentage of producers, executive producers, writers and editors, compared with that number in 2017. The biggest increases were seen in the number of editors (21 percent were women, compared with 16 percent the previous year) and writers (16 percent, up from 11 percent in 2017). Still, the 2018 figures represented just single-digit gains from 1998. – The New York Times
Category: media
Nat Geo Shelves Neil deGrasse Tyson’s Show After Sexual Misconduct Accusations
“National Geographic Channel has pulled its long-running Neil deGrasse Tyson chat show StarTalk off the air, at least for now, following allegations of sexual misconduct against the famed astrophysicist. StarTalk will remain on hiatus as a Fox Networks Group investigation into the multiple claims continues.” — Variety
Movie Theatre In Germany Offers Nationalists Free Tickets To ‘Schindler’s List’, Nationalists Act All Insulted
The Cinexx theater in the town of Hachenburg made the offer to members of the right-wing party Alternative für Deutschland for a screening on Jan. 27, Holocaust Remembrance Day. Cinexx says it wasn’t trolling and wants to “initiate discussion,” but AfD folks called the scheme a “tasteless instrumentalization” and a “senseless provocation.” — The New York Times
Millions Of Cable Subscribers Lose Access To Local Stations In Fees Dispute
Tribune, which controls 33 broadcast stations across the affected markets, had asked Charter to pay more than twice what it currently does for the same content going forward, said Charter spokeswoman Nathalie Burgos. “That is more than we pay any other broadcaster. They’re not being reasonable,” Charter said in a statement. – Washington Post
A Little Chinese Arthouse Film Sets New Box Office Records — Because Its Marketers Tricked The (Now-Angry) Public
Filmmaker Bi Gan’s Long Day’s Journey Into Night, described by a correspondent as a “dreamy pseudo-noir,” grossed nearly $38 million on its first day, nearly unheard of for an art flick in China. How? That first day was Dec. 31, and the producers marketed the film (no relation to the Eugene O’Neill play) as the perfect romantic date flick for New Year’s Eve. The overnight reaction on social media was not pretty. — Variety
Small Niche Cable Channels Are Being Dropped As Audience Flees Cable
The rise of cord-cutting (people ditching cable packages for cheaper digital options) is beginning to reduce financial margins at cable and satellite providers, and channels that aren’t driving a lot of viewership are paying the price. – Axios
Is Netflix’s Streaming Dominance Coming To An End?
“Netflix is facing increased competition from some of its previous content suppliers,” said Richard Broughton, an analyst at Ampere Analysis. “Despite its major focus on original content the company is still hugely reliant on licensed content for subscribers and that carries risks.” – The Guardian
Back To The Future? American News Media’s Post-Ad Model
“As the news business shifts back from advertisers to patrons and readers (that is to say, subscribers), journalism might escape that “view from nowhere” purgatory and speak straightforwardly about the world in a way that might have seemed presumptuous in a mid-century newspaper. Journalism could be more political again, but also more engaging again.” – The Atlantic
How Netflix Might Change The Movie Industry
“Netflix has clearly taken over TV in the last 10 years. It does not seem crazy to believe that they can do the same to the movie biz as they accelerate film production.” – Axios
The Writers Of Four Of Last Year’s Major Films Share Screenplay Secrets
Gillian Flynn (Widows) on how to write a thrilling heist, Christopher McQuarrie (Mission: Impossible — Fallout) on how to write high-stakes action, John Krasinski (A Quiet Place) on how to write family horror, and Barry Jenkins (If Beale Street Could Talk) on how to adapt James Baldwin. — New York Times
