An Actor From Mexico Has Been Denied Visas To Come To The U.S. For Oscars Publicity

Director Alfonso Cuarón and Netflix sent letters to assure authorities that actor Jorge Antonio Guerrero Martínez, who played Fermín in the movie Roma, wasn’t going to the U.S. to work but rather to give interviews – but the letters went unread. “I tried giving it to the consul. They grabbed the paper and literally just returned my passport through the teller window. … If they don’t want to read it, then it’s going to be very difficult.” – Los Angeles Times

The Self-Worship Of Directors Who Make Themselves Their Own Stars

This will come as a real shocker, but a lot of these people are men such as Clint Eastwood. Eastwood wrote and directed The Mule, and … well: “All those closeups of himself looking incorrigible, or lapping up the adoration of others, or getting down to business with women young enough to be his great-granddaughters – these were staged and approved by him. Perhaps he even asked for extra takes. Better safe than sorry.” – The Guardian (UK)

Unsealed Docs: Facebook Created Kids Game That Caused Them To Spend Millions

“Facebook created a system that allowed children to spend tens of millions of dollars through their parents’ credit cards and Paypal accounts on games and other goods without their parents’ knowledge and, despite concerns raised by game developers and solutions suggested by internal analysts, did nothing to fix the issue, according to a trove of documents unsealed from a 2012 class action lawsuit.” – Variety

Director Michael Greif Reimagines ‘Rent’ For Live TV

Greif staged both the original off-and-then-on-Broadway production (1996-2008) and a 2011-12 Off-Broadway revival, and he’s now directing Rent: Live, airing this Sunday on Fox. Diep Tran talks to director and cast about how they’re reconfiguring the show for a live audience of 1,500 plus a TV audience they hope will be in the millions. — American Theatre

Jonas Mekas’s Final Interview: ‘The Best Commercial Cinema Today Is Action Cinema’

“The plots are invented on the spot. Not like Hitchcock, where every scene that follows is connected with the final scene. In the action movie, it is more like the style of The Arabian Nights.” (Mekas’s favorite recent film? Lady Bird. “It is the only one that deals with real life and succeeds.”) — The Guardian