There are a few reasons. A presidential budget is essentially a messaging tool these days, a way to show your supporters that you’re addressing their priorities; Congress has to actually decide where real money will go. Just about every member of Congress has a public radio or TV station in his or her district; any transition from rhetoric to reality would be felt back home. But it’s also because public broadcasting is actually pretty popular and pretty trusted by Americans. – NiemenLab
Category: media
At The End Of Its Run, An Oral History Of Twentieth Century Fox
As Fox’s film and television operations (not including Fox News and Sports, or the lot itself) prepare to go to Disney, “The Los Angeles Times spoke to dozens of actors, executives and other Fox veterans to reminisce about the studio’s 106-year legacy, its family atmosphere, its moguls, its filmmakers and the magic they made.” – Los Angeles Times
The BBC Isn’t Into Netflix’s Claims About ‘The Crown’
In what seems a twist worthy of season 65 of the Netflix show The Crown, the BBC has started mocking the numbers, or rather lack of numbers, Netflix shares about one of its most expensive shows. The Beeb’s director general acknowledged that Netflix had a huge budget compared to the BBC, and also urged the BBC to get ready for people never to watch live TV. – The Guardian (UK)
Yes, A Woman Can Open A Major Superhero Movie
Duh, right? Captain Marvel had the seventh-highest opening for a Marvel movie and by far the highest debut for a film fronted by a woman. (Also, Marvel, perhaps because of its internal and external experience, was ready for the trolls.) – Quartz
The Next Big Social Media App
It’s TikTok (you might know that already) – but what is TikTok? Whew: “A free-for-all. It’s easy to make a video on TikTok, not just because of the tools it gives users, but because of extensive reasons and prompts it provides for you. You can select from an enormous range of sounds, from popular song clips to short moments from TV shows, YouTube videos or other TikToks. You can join a dare-like challenge, or participate in a dance meme, or make a joke. Or you can make fun of all of these things.” The New York Times
Some Directors Get A Second Chance With The Same Movie
No, not with director’s cuts, but with literal remakes of their own earlier movies. “For the studio heads tasked with squeezing as much money out of the project as possible, it’s a can’t-fail proposition even safer than sanding off all of a foreign hit’s edges to prep it for Stateside viewers.” – The Guardian (UK)
Teaching Students To Distinguish Real News, Fake News, And Bias (And What Happens When You Learn You Have To Interrogate **Everything**)
At the Ross School, a very pricey K-12 institution in the Hamptons, faculty have worked hard to create what CJR calls “the best media literacy program money can buy.” Alexandria Neason looks at how that program has been put together, how it’s been adapted to changes in media technology and current events, what elements are taught more widely around the U.S., and the feelings that developing media savvy brings forth in the kids themselves. – Columbia Journalism Review
The Stevens Spielberg And Soderbergh Are The Twin Poles Of The Movie Theater-Versus-Netflix Struggle — Or Are They?
Soderbergh has made a feature for Netflix and released his work in all sorts of ways; he says “I really don’t care how people see my movies, as long as they see them.” Spielberg is trying to ban Netflix from the Oscars and says that “movie theaters need to be around forever.” Critic Ann Hornaday writes that the root of Spielberg’s anxieties is something that Soderbergh understands. – The Washington Post
Why Does Netflix Cut Movie Credits?
It’s still obvious to even the most casual viewer that Netflix hates movies, because they won’t offer their viewers something that theaters, LaserDiscs, videotapes, DVDs, Blu-rays, and even Mutoscopes offered as a matter of course: the ability to watch a film from the first frame to the last. – Slate
No, Steven Spielberg, Netflix Is Not The Problem
“The debate about the future of moviegoing shouldn’t be a binary one between a studio system increasingly beholden to franchises and intellectual property, and a nihilistic streaming service set on eliminating all competitors and monopolizing its users’ attention. The real problem with film right now is a lack of diversity caused by a lack of competition — both in Hollywood and online.” – The New Republic
