Pop Goes The Culture

Pop culture is everywhere. TV is pop culture. Ergo, there’s more and more TV about pop culture. “The extent to which pop culture has become the focus of more and more TV networks is undeniable. It’s the nature of it. Pop culture is the stuff everybody is talking about, and if everybody is talking about it, networks are naturally going to want to find programming that taps into that.”

What’s Christmas Without A Big ‘Ol War Movie?

What’s with all the war movies set out in prime movie season, wonders Frank Rich. “Intentionally or not, three of the four new Christmas war movies play on our current fears rather than reprise the slam-dunk triumphalism of “Top Gun.” And they do so even though most of them are top-heavy with creative talent (actors, directors, screenwriters) who hail from countries in the coalition of the willing (England, Australia, Japan, even Romania).”

Italians Stage TV Viewers’ Strike

A TV viewers’ strike was organized over the weekend in Italy. “Television is one of the principal causes of dullness and isolation, and is a drain on precious commodity of human time” say the organizers. We want to say to people that there are better ways of spending their free time than to stay home staring at television. “The strike’s organisers have arranged discounts at a range of venues for people who bring their remote controls with them. Organisers say they are expecting around 400,000 people to join the strike against what they call Trash TV.”

Indy Film’s UK Woes

“It felt disorientating to be British at the European Film Awards, now in their 16th year and celebrated at a ceremony in Berlin last weekend. Those of us from the UK mingled with movie-makers and press from a score of countries, all perfectly relaxed about enjoying films from other nations, even those requiring subtitles. It was hard not to muse gloomily on the difficulty for even exceptional non-English-language films to obtain exposure in a British cinema culture so in thrall to Hollywood.”

Why PBS Programming Is So Timid

PBS programming is staid and unadventurous. Why? Consider an acclaimed 36-year-old one-man show about Mark Twain and why PBS declined to air it: “What could literary legend Mark Twain have said 130 years ago that would cause PBS programmers of two different regimes to reject an acclaimed performance of his wit and wisdom by one of America’s most respected actors? Well, about 35 minutes into the one-man show, after the first intermission, Twain/ Holbrook includes a passage ofHuckleberry Finn. In this five minutes of the program, “Twain” acts out the parts of young Huck, his drunk father Pap and old Jim, a slave…”

Video Store As Research Tool

“As budget-conscious film studios increasingly greenlight remakes of old films and recycled television shows (coming soon: “Cheaper by the Dozen” and “The Stepford Wives”), independent video stores are finding themselves with a new role in the $9 billion-a-year video-rental industry. They are often used as research libraries and idea factories for the movie studios in whose shadows they lurk.”

TIFF Picks A New Director

“Noah Cowan, who began his cinematic career at age 15 selling tickets for the Toronto International Film Festival, was crowned the fete’s new co-director yesterday. This self-described ‘child of the festival,’ was one of 12 American and Canadian candidates who applied for the job, one of the top film-related postings on the planet.” Cowan was previously associate director of programming for TIFF, before leaving in 1997 to head up a distribution company in New York.