A Peek Inside The Screenwriter Mill

“Every year, about 50,000 screenplays are registered with the western division of the Writers Guild of America, with nonmembers paying $20 and members paying $10. Only a few hundred of those are bought or optioned by studios, producers and production companies – usually for relatively paltry sums. Of the screenplays that find a home, a mere fraction end up as finished motion pictures and then, more often than not, only after they have been eviscerated and rewritten by a succession of writers known as script doctors. Nevertheless, an industry has blossomed around the notion that anyone with a good idea and the right skills can rack up a hit.”

Cutting $10 Million From The CBC

Canada’s CBC is facing a government-mandated $10 million cut in its budget. “The CBC is already dealing with other financial pressures, including rising production and health-care costs, renewed contributions to the CBC pension plan and a massive loss of advertising revenue as a result of the NHL lockout (estimated to be about $50-million).”

A Low-Budget Indie W/ Symphony-Size Dreams

These days there are plenty of low-budget movies. But how many movies with a $750,000 budget can field a professional symphony orchestra for the score? And the Vancouver Symphony, for that matter? “I guess it is a low-budget film. But for anybody who has come from the subsidized art world, the strictures of being frugal and using your resources well are very familiar. I’m trying not to think about the budget and focus on the creativity.”

Let Chicago Be Chicago

Regardless of what the Canadian film board might tell you, Toronto does not look like New York. Nor does it look like Chicago, L.A., Seattle, Boston, or any of the other cities that Canadian cities have been standing in for in Hollywood films over the last decade. A new documentary makes the case for on-location shooting, and claims that moviegoers can easily tell the difference between accurate depictions of a city and generic stand-ins.

Hollywood Pushing Out Indies In Foreign Markets

The indie films and B-movie flicks that once constituted the bulk of the American presence at foreign theaters are rapidly being replaced by big-name Hollywood movies. “As [DVD] sales have been replacing video rentals, globe-spanning media conglomerates have begun using ‘specialty’ film wings like Disney’s Miramax, Sony’s Screen Gems, News Corporation’s Fox Searchlight and Warner Independent Pictures to fill the demand of foreign markets with their own products, leaving less room both for independent sellers and for the small local distributors.”