Since the advent of sound, movies treated jazz as a marker of modernity and youth, a soundtrack to a fledgling America further distancing itself from Europe and charting a path through its second century. – Los Angeles Review of Books
Category: media
Robert De Niro’s Company Sues Former Exec For $6 Million
Until April (when she left amid worries about “corporate sabotage”), Chase Robinson was “vice president of production and finance’ at De Niro’s Canal Productions, drawing a $300,000 salary. Canal’s suit accuses Robinson of embezzling cash, using corporate credit cards for lavish spending on hotels and meals, taking personal trips using De Niro’s frequent flyer miles — and, on top of it all, rarely coming to work and spending what time she was in the office binge-watching Netflix. – Variety
YouTube Powered Brazil’s Turn To The Hard Right
“Members of the nation’s newly empowered far right — from grass-roots organizers to federal lawmakers — say their movement would not have risen so far, so fast, without YouTube’s recommendation engine. New research has found they may be correct … [and] a New York Times investigation in Brazil found that, time and again, videos promoted by the site have upended central elements of daily life.” – The New York Times
Why Isn’t Hollywood Actively Taking On Climate Change?
So why aren’t there more realistic, or semi-realistic, or, dare it be suggested, hopeful films about climate change? Because, several directors said, it is hard to find financing for movies that risk being real downers and challenge audiences to change their ways. Because mass extinction is soul-crushing and people seek out entertainment to escape. – The New York Times
Annabella Sciorra May Yet Testify In Weinstein Trial
Sciorra has said that Weinstein attacked her in 1993, which is outside of the statute of limitations – but the prosecutors want her to be able to tell the jury her story anyway. “Prosecutors hope that Ms. Sciorra’s testimony will strengthen the case, particularly the predatory sexual assault counts, by establishing a pattern of behavior.” – The New York Times
Endeavor Content, An ‘Aggressive’ Arm Of William Morris, Owns Parts Of Hit TV Shows, Irking Writers
The company is part of Killing Eve, the movie Book Club, and around 100 other media properties, to date. Their spin: “In a world of media consolidation at an unprecedented scale, the size and scale and reach of media companies today is unlike anything we’ve ever seen, and the idea of ownership and creative freedom is under threat. … So how do we help create an alternative and help create leverage for people?” (The Writers Guild of America isn’t signing onto that, of course.) – Los Angeles Times
The Segment That Cost Jimmy Kimmel Live! A Huge FCC Fine
Jimmy Kimmel Live! was fined $350,000 by the FCC for a sketch about the presidential alert system. – New York Magazine
This Public Radio Station Created A Journalism School… For Its Listeners
Roughly 100 people, most of them St. Louis Public Radio members and supporters, paid $120 to attend. They visited St. Louis Public Radio’s community room in the city’s downtown Grand Center neighborhood to participate in evening sessions hosted by journalists from outlets across the region. Topics included serious issues like media literacy and libel law and lighter fare like food reporting and TV weather coverage. – Current
For The First Time, A Telenovela Is Centered On A Gay Couple
El Corazón Nunca Se Equivoca (“The Heart Is Never Wrong”), produced and set in Mexico City, is a spinoff of the popular Mi Marido Tiene Más Familia (“My Husband Has More Family”): two young men in that series have fallen in love and go off to university together — with the full support of one of their families. And with the power of telenovelas in Mexico’s machismo-filled culture, the new series is a major development. – The Washington Post
Prejudging The Movies – When The “Buzz” Gangs Up
“Today, the forces of entertainment marketing, social media and grievance culture are increasingly colliding, with the casualty being the movies themselves. Why wait to actually see “The Irishman,” Martin Scorsese’s long-gestating project about Jimmy Hoffa and the mob, when you can start fact-checking it months before it opens?” – Washington Post