Why Is Netflix Canceling So Many Shows?

The more original shows Netflix orders, the more likely it is to cancel those that don’t perform well. The company relies on an “efficiency metric” to decide what shows should be kept and which should go. If a series is able to retain subscribers with a risk of leaving or bring in new subscribers (like Stranger Things), it gets renewed. If it can’t, it’s probably going to be canceled. – The Verge

Facing “Severe Cash Flow Issues”, Nevada Public Radio Lays Off All Staffers In Reno

The Las Vegas-based network, which operates a classical station in the city and a news station which is re-transmitted throughout the state, expanded into Reno (a market that already had two NPR affiliates) when it bought an available frequency in 2017 and operated it as a “music discovery” station. (That station, NV89, will now air a direct feed from the Las Vegas news station.) Nevada PR CEO Flo Rogers, an 18-year veteran, has resigned. – Reno Gazette Journal

Film Festivals Cost Their Host Cities A Lot — Are They Worth It?

From Cannes to Shanghai to Park City to Toronto, these events bring in visitors, create jobs, build a city’s brand, and nurture culture. On the other hand, they can drive up prices, strain the environment (Venice), and attract interference from the authorities. On yet another hand, they can put a spotlight on important issues and provide a lifeline for minorities (as with the queer film fest in Jakarta). – The Guardian

An Israeli TV Series Shows The Jewish State Locked In Civil War

“In [Autonomies], set in the near future, civil war has cut the land into two countries. The coastal State of Israel is nonreligious, with the cosmopolitan city of Tel Aviv as its capital. Jerusalem is a walled, autonomous city-state, run by [ultra-Orthodox] Haredi rabbis. At first glance dystopian, the show is in fact an artistic extrapolation of real-life rifts in Israeli society.” – The Guardian

There’s One American TV Show That Depicts Labor With Real Dignity

“On its face, [The Science Channel’s] How It’s Made is arguably about science and engineering rather than the vicissitudes of the working class, but its depiction of the everyday worker nonetheless makes it a kissing cousin to socialist realism — or at least a kissing cousin to social realism, which is itself a kissing cousin to socialist realism.” – The Baffler