Hollywood Is Glum, But The Emmys Show Must Go On

A lot of new shows are constantly churning through the pipeline, Netflix and Amazon are awash in television bucks, and old sitcoms are doing nine-figure streaming deals because for some reason, the kids these days love Friends and Seinfeld. But behind the scenes? Authors and agents are suing each other, some agents fled town for the weekend, and even the parties were cancelled, y’all. Can Hollywood recover? – The New York Times

NPR Is Pulling In Serious Money From Podcasts

“NPR is projecting that podcast sponsorship revenues will surpass revenues from broadcast sponsorships next year for the first time. … The network has budgeted about $55 million in corporate sponsorship revenues from podcasts in fiscal year 2020.” NPR CFO Deborah Cowan described podcasts as “[a] huge return on investment for us and a major growth engine for our business.” – Current

Audiences Prefer Actors With Disabilities To Play Characters With Disabilities: Study

“Findings from the Ruderman Family Foundation’s just released effort, Disability Inclusion in Movies and Television, show that … 55% would like to see characters with disabilities portrayed authentically. … [The study also found that] viewers rank ‘diversity’ in the top five most valuable characteristics for content when disability is included in the definition.” – Los Angeles Times

Below The Line: Tales From The Behind-The-Scenes Pros Of TV And Film

“In this post and the series of corresponding profession-specific stories we’ve published, we’re going to be giving proper credit to those people whose work truly brings entertainment to life” — Foley artists, costume designers, visual effects artists, music supervisors, food stylists, location scouts, prop masters, animal trainers, stunt performers, and caterers. – Vulture

Turkey’s Television Epics Are Conquering The World

“Thanks to international sales and global viewership, Turkey is second only to the US in worldwide TV distribution – finding huge audiences in Russia, China, Korea and Latin America.” Reporter Fatima Bhutto talks to people at the center of the Turkish TV industry about why these series appeal to worldwide audiences (and why the English-language market is an exception) and how the shows were a huge hit in the Arab world until, one day, they were pulled off the air. – The Guardian