Tyler Perry, ‘The Most Successful Mogul Hollywood Has Ever Ignored’

“Now, with Madea behind him — he was fed up with playing her — Perry’s cultural legacy remains complex, ever evolving, and dependent on what he does next. In the short term, that means opening sprawling new studios [in Atlanta that] will serve as the home for an astonishing six new shows, all of which he has written and will direct — part of a major content deal with Viacom. Is he sacrificing quality for quantity? Perry said he was not aspiring to great artistry.” – The New York Times

The Three Ages Of Podcasting

“What started as a quiet digital backwater is now increasingly growing in prominence, drawing the attention of audiences and moneyed interests alike. … And the story of how we go here can be told via two major turning points: The first was everything that happened before and after 2014. The second turning point is happening right now.” – Vulture

Listening Clubs Bring Audiences Of NPR’s Spanish-Language Podcast Together In Real Life

Radio Ambulante has a Facebook group with thousands of members in more than 19 countries. Editors there decided, “Let’s go back to the first place and do this but offline. We don’t want to have Facebook in between you and other listeners.” So they’ve organized listening clubs (the podcast equivalent of book clubs) for people to meet in person, listen to Radio Ambulante, and discuss what they’ve heard. – Nieman Lab

New Concept: Asian Actors Voicing Asian Cartoon Characters

Whoa. For the new movie Abominable, Asian American and other actors of Asian descent play the Chinese cartoon characters. This, says a critic, is “an occurrence as rare as a solar eclipse. The last time I could remember this happening was more than 20 years ago with Disney’s Mulan.” (When this story was published, there were worries about how Abominable would do at the box office. Well, headlines say it all: ‘Abominable’ tramples the competition.) – The New York Times

Hollywood Is Fascinated With Beautiful Women’s Descents And Deaths

And so, it seems, are audiences. What’s the deal with these less than biopics, more like thanatopics? Ah: “Each movie is too enamored of its legend, of her talent and beauty, to acknowledge that her circumstances and pathologies aren’t exceptional but widely shared, borne largely of gendered inequality: unequal pay, imbalance of power, public hypersexualization, and the fast-approaching or long-past expiration date on her usefulness to Hollywood.” – Slate