Pay-Per-View Opera, Dance On New Performing Arts Site

“Opera and ballet lovers are to be offered major productions from some of the world’s leading companies as pay-per-view internet broadcasts. Eleven shows from the new season at the Metropolitan Opera in New York will be among those streamed by Classical TV. Productions by the Bolshoi, Marinsky, Zurich Opera and Paris Opera Ballet will be broadcast live on the Classical TV website, which launches next month.”

With New President, Daily Show Needs New Narrative

“With George Bush back in Crawford, Texas, and Barack Obama in the White House trying to deal with the nation’s woes, will ‘The Daily Show With Jon Stewart’ still have enough satirical fodder for its four-nights-per week/161-episodes-per-year broadcast?” After all, the new guy in the White House has been a guest on the show four times — and, complicating matters, is smart.

Film Rating System May Replace Censor In China

“China could be on the verge of implementing its first film classification system after the all-powerful State Administration of Radio, Film and Television (Sarft) submitted a new law to the cabinet — but it faces hardline opposition at the senior level within the ruling Communist Party. At the moment, films are deemed either suitable for all audiences or unsuitable, in which case censors cut entire scenes or ban the movie altogether — both drastic steps considering that scripts must be approved before a movie goes into production.”

Live From The Lincoln Memorial, Minus The Gay Bishop

“One person who spoke to the hundreds of thousands at the Lincoln Memorial on Sunday was the Rev. Gene Robinson, the openly gay Episcopal bishop whose ordination created a rift in his church. However, you would never have known that from watching TV, as it was not included as part of HBO’s televised coverage.” The Presidential Inaugural Committee says it regrets the error.

Jeanne Dielman – The Power Of One Little 34-Year-Old Belgian Movie

“Today the film’s observational strategies – its long takes and scrupulous framing – practically amount to a lingua franca of international art film… Nothing can quite prepare the first-time viewer for the force of [director Chantal] Akerman’s concentration, for the film’s overwhelming concreteness or the horrifying logic of its ending.”