Seventy-four percent of prosecuted cases in New York are for misdemeanors, according to a 2017 report from NYC Criminal Justice Agency. Instead of clogging up the courts Project Reset tries to change behaviors and hope that will be more effective in reducing recidivism. – CityLab
Category: issues
UK Arts Organizations Are Struggling With Diversity
“For some time now, diverse staff working in larger publicly funded arts organisations, and in particular those producing work that is aimed at the mainstream, have debated how to help their organisations see that their value is not as ‘the representative of disabled audiences’ or ‘the font of expertise on all trans issues’. It cannot rest on individuals to bring others into the light of inclusion.” – Arts Professional
Has The Drag Ballroom Scene Outgrown The Criterion That Once Defined It?
The performance-competitions that were made famous by the documentary Paris Is Burning, introduced the world to voguing, and arguably inspired RuPaul’s Drag Race have generally judged their participants and winners on “realness” — the ability to pass as the real thing for whatever the category. Ballroom veteran Sydney Baloue makes a case that, while it was needed as the ballroom scene was born and grew, the concept of “realness” may no longer be necessary and might actually be damaging. – The New York Times
2017 Tax Law Cost Artists Because They Lost Expense Deductions. Now They Want It Changed
In the past, many actors would list these expenses as miscellaneous itemized deductions on their taxes. But the 2017 tax reform law eliminated that provision, affecting thousands of performing artists who had used those deductions for work-related expenses. Now unions representing Hollywood performers are pushing Congress to fix the problem. – Los Angeles Times
Orlando’s Soon-To-Open Performing Arts Center Is Finally Settling Rent Dispute With The Groups It’s Being Built For
“The Orlando Ballet signed a contract with the [Dr. Phillips Center for the Performing Arts] on Tuesday morning after protracted negotiations that saw accusations of unreasonable demands amid high-profile social-media and mass-mailing campaigns to sway public opinion. Opera Orlando and the Orlando Philharmonic Orchestra are still in discussions, an arts-center spokeswoman said, but ‘we anticipate signing agreements with them soon.'” – Orlando Sentinel
US Department Of Education Allowed Student Aid To Art Institutes That Lost Accreditation
“We’ve known for a long time that the Art Institutes lied to students about losing accreditation. Now, we know that the Department of Education misled them, too,” said Eric Rothschild, an attorney at the National Student Legal Defense Network who is representing the students. – Washington Post
The Goofy Appeal Of Renaissance Faires
While Many Arts Institutions Are Giving Up Oil Money, This Major Music Festival Is Raking It In
At this past summer’s Salzburg Festival, director Peter Sellars turned Mozart’s opera Idomeneo into a warning about climate change. Not even three months later, the Festival announced a big sponsorship deal with Russian fossil fuel colossus Gazprom and Austrian oil firm OMV. – The New York Times
Australia Changes The Way It Funds Major Performing Arts Companies
“A meeting of Australia’s arts and cultural ministers in Adelaide … has seen a major overhaul of the way the Major Performing Arts sector is funded through the Australia Council for the Arts, and contemporary circus company Circa – whose Artistic Director Yaron Lifschitz once described the system as a ‘protectorate of the privileged’ – welcomed into the fold of Major Performing Arts companies.” – Limelight (Australia)
Liberating Stereotypes Of Indigenous Americans From Children’s Tales
“From the dull art of crafting Thanksgiving turkeys out of handprints to the bad politics of making headdresses out of turkey feathers, the point of contact between Indians and non-Indians begins and ends (for the most part) in grade school. It could be said that the primary place where Natives continue to exist for most Americans is in childhood imagination.” – The New York Times
