Michael Kaiser: Why Is “Engaging” In The Arts The New Fad?

“The sense of many is that things must change — our art must change, our approach to marketing must change and the nature of the audience experience must change. If we continue to operate in the same manner as we did in the twentieth century, the arts will die. A serious discussion of audience engagement, however, demands more than platitudes and generalizations.”

London Olympics To Fans: No Sharing The Action Over Facebook, Twitter

“Fans in the crowd won’t be allowed to upload snippets of the day’s action to YouTube – or even, potentially, to post their snaps from inside the Olympic Village on Facebook. And a crack team of branding “police”, the Games organisers Locog have acknowledged, will be checking every bathroom in every Olympic venue – with the power to remove or tape over manufacturers’ logos even on soap dispensers, wash basins and toilets.”

What’s So “Live” About Live Performance, Anyway?

“Georgia Institute of Technology professor Philip Auslander first floated the idea that live and mediated performances weren’t really all that different in his 1999 book, Liveness. As the performance scholar pointed out, the very idea of “live performance” came about only when recording technologies created Coachella-style confusion by making the two indistinguishable.”

Designer/Developer Builds New Buenos Aires Arts District ‘From Scratch’

Fashion designer-turned-real estate magnate Alan Faena is creating “a sort of Shoreditch-by-the-River-Plate for culture-starved Argentines” in the waterfront neighborhood of Puerto Madero. The district already has a new visual art center; there are plans for a hotel by Philippe Starck, a residential complex designed by Norman Foster, and “parks, cultural centres and an artist residency.”

I’ll Be Famous After I’m Dead (Maybe Not)

“The afterlife of the artist is a tricky thing. Some bestselling writers seem to be forgotten mere seconds after their deaths; others aren’t truly appreciated until decades into their posthumous career. Many artists and writers are subjects of campaigns to re-establish their place in the canon. A few take, but most fall back into oblivion until someone else takes up the cause 10 years later.”

Critiquing The Critics Of NY Public Library’s Renovation

The New York Public Library has instituted a public relations blitz to respond to its critics (including literary and scholarly luminaries), who “question how users of the libraries to be sold will fit inside the main building (its number of annual visitors — 1.6 million — is expected to more than double) and whether books moved to New Jersey really will be available within 24 hours, as the library has promised.”