“Outrage is the perfect negative emotion to attract attention and engagement – and algorithms are primed to pounce.” Worse, “misleading content on social media tends to lead to even more engagement than verified information.” On the other hand, once you’ve been cancelled, algorithms can help you (to overextend the metaphor) get revived on another network, as in the case of Kevin Hart. – The Conversation
Category: issues
Arts Council England Says It Will Invest In Arts In Every Village And Town. Feasible?
The strategy lists four principles guiding whether ACE will invest public money: “ambition and quality”, “inclusivity and relevance”, “dynamism”, and “environmental responsibility”. The ACE chief executive, Darren Henley, said he wanted to move away from having centres of excellence in a small number of places and instead bring “world-class art and culture to people’s doorsteps”. – The Guardian
Many Of China’s Arts Venues Shut Over Coronavirus Fears
The largest potential casualty of the closings is the Hong Kong Arts Festival, which is scheduled to open on February 8 with the Hong Kong Sinfonietta’s world premiere of Alexander Goehr’s The Master Said at City Hall. – Musical America
Tim Crowley Saved Marfa, Texas And Built It Into An International Destination. Is He Now Ruining It?
When Donald Judd, the artist who came to the West Texas desert village and attracted other artists there, died in 1994, he left his foundation with $400 in the bank and Marfa faced doom. Then Crowley, a Houston attorney and developer, and his gallerist wife came to town and pumped a lot of money into it, buying properties, building businesses and bringing in new and prosperous residents. But over the last few years, as Crowley’s plans have gotten bigger and more commercial, many Marfans think that this man who owns the whole town has started messing it up for everyone else. – Texas Monthly
Georgia Now Ranks 49th In Arts Funding. Here’s What That Looks Like
Long one of the stingiest states in terms of support for the arts, Georgia is now virtually at rock bottom, not willing even to put up enough money to collect the full amount of matching funds available from the National Endowment for the Arts. This year’s grants fall $300,000 short of the NEA’s allocations. – ArtsATL
Should Architects Work For Tyrants?
The answer seems obvious, and it seems like it must be no. And yet, says a (supposedly) liberal and progressive architect who recently agreed to work with the homophobic and environmentally horrifying Jair Bolsonaro of Brazil, “If there’s a responsibility that comes from the creative platform we’ve created, it is to use that platform to change the world for the better.” – The Guardian (UK)
Salma Hayek Apologizes For Praising ‘American Dirt’
As controversy continues to swirl (for instance, as HuffPost recounts the ways American Dirt takes passages from Latinx writers’ nonfiction books on immigration) and as the book itself climbs the bestseller charts, Selma Hayek apologizes for praising the book without having read it – thus, perhaps, exposing the celebrity book endorsement for what it truly is: A PR racket. – The Washington Post
Research: How New York City’s Arts Work Force Diversity Compares To The Rest Of The City
“Based on responses from our survey, a high share (66%) of cultural workers identify as White (non-Hispanic), compared to just 32% of New York City’s population. In contrast, Hispanics, Blacks/African Americans, and Asians are underrepresented – 10% of cultural workers identify as Black/African American, compared to 22% of the city’s population; 11% identify as Hispanic, compared to 29% of city residents; and 6% identify as Asian, compared to 14% of city residents.” SMU Data Arts
The Difficulty Of Being A Cultural Ambassador For The US In The Time Of Trump
Under the Trump Administration, the challenge for cultural workers who agree to participate in official events is akin to swimming upstream in boiling waters. Civil servants, thinking of the long game—the point in the future when Trump will be gone and our democracy will be restored—task cultural workers with creating a counter-narrative of America while their employer puts forth a pernicious, deleterious version of the country. But how will this anticipated moment of restored democracy arrive if we behave as if events unfolding in this country were normal, as if our collective house were not on fire? – The New Yorker
NEA Releases Results Of Latest Survey Of Public Participation In The Arts
Among the key findings: 74% of American adults engage with the arts via electronic media, 54.3% attend arts events, and 53.7% create or perform art themselves. Three states, D.C. and metro Cleveland have particularly high rates of attendance at performances, while Vermont, Montana, and metro Dallas lead in art show attendance, and nearly 90% of adults in greater Philadelphia and Baltimore engage with the arts via electronic media. – National Endowment for the Arts
