Experiments In Arts Journalism

“If the public’s only encounter with arts criticism comes via tweets or YouTube videos, is it any wonder that it can’t articulate or appreciate the value of the arts and humanities? Thus the understandable though self-defeating recourse to coverage that sees that the arts are valuable mainly because of their economic benefits or their potential for gossip.”

What The Hell Is Really Going On With The New York Public Library?

“The debate is getting bitter. Hundreds of writers, from Peter Carey to Mario Vargas Llosa, have gone on record against the plan. An exhaustive exposé in the literary magazine n+1 raised the temperature, and the current issue of theNew York Review of Books contains page after page of tetchy point v counterpoint. Whatever the fate of our library, a lot of people are going to be very angry when this is all over.”

Putting A Monetary Value On The Arts – Is That Possible, Or Even Desirable?

“We tend to think of the arts as ‘independent and esoteric.’ In fact, they are dependent (meaning simply, ‘connected’) and everyday.Trying to tease out their monetary value, therefore, is practically impossible, not to mention their effects on our other cultural practices. Just look at the local effects of one little satirical sketch comedy show, Portlandia, on the city and its sense of itself. How do you measure that?”

As The Olympics Near, London’s East End Transforms (Somewhat)

London’s East End “is persistently seen as other – as mysterious and threatening, as an orphan child prompting pity, as something unknowable which must therefore be tamed by stereotypes. It has lent itself to exploitation on a large scale, from the high-walled and ferociously defended docks, to Fortress Wapping, as the base of Rupert Murdoch’s News International was once called. Grand gestures are repeatedly imposed from outside, whose aims are at once charitable and controlling.” Will the 2012 Olympics be any different?