Salzburg Festival Opens With Increased Audience And A Difficult Financial Future

“The number of performances rose and so did the number of visitors — Alexander Pereira insisted this was necessary to renew a festival that was becoming “increasingly inconspicuous”. Behind the scenes however, there was increased grumbling among artists and staff about the crowded programme, which looks to be reduced once Pereira is gone.”

Head Of Big New Arts Center In Beverly Hills Out After First Season

“The Wallis Annenberg Center for the Performing Arts in Beverly Hills, which only recently completed its inaugural season, confirmed Thursday that Executive Director Lou Moore has left the fledgling arts organization. Moore, who spent more than a decade raising money to construct the new center and then led its 2013 opening and first season, left the organization on Tuesday.”

When Manhattan Became The Capital Of The World (In The 1920s)

“Beginning with the reconstruction of Park Avenue in the early 1920s, Midtown became a destination neighborhood for the city’s ultrarich, eager to abandon their stand-alone Fifth Avenue palaces in favor of contemporary “mansions in the sky.” Alongside the real estate boom came a decadent new night life and a host of more serious cultural diversions, all of them fueled, in Miller’s telling, by a steady supply of ambition, energy and illicit booze.”

New York City Is Introducing A New ID Card (And It Wants Cultural Groups To Help)

“To broaden the appeal of a card that will be available to all New Yorkers early next year but is designed to help those who do not have a driver’s license or other official identification, the administration has asked some of the city’s most prominent cultural institutions to offer benefits, like memberships or discounted tickets, to cardholders.”

Boycott An Israeli Theatre Company Over Politics? Where’s The Logic?

“The demands for censorship speak to the illiberal tendencies of much of the art world and their self-important overestimation of the impact of cultural boycotts. They are the kind of artists who call for artistic freedom for themselves, and for those whose opinions they approve of, but deny it to those who they disapprove of, or, in this case, those whose countries they disapprove of.”

Stop Trying To Get Our Kids Into The Ivy League: The Stress Is Wrecking Them, And The Schools Are Overrated

“Our system of elite education manufactures young people who are smart and talented and driven, yes, but also anxious, timid, and lost, with little intellectual curiosity and a stunted sense of purpose: trapped in a bubble of privilege, heading meekly in the same direction, great at what they’re doing but with no idea why they’re doing it.”