A Better Case For Corporate Support For The Arts

“More than half of all Canadians listen to music daily, read fiction several times a month or more and have visited a museum or art gallery in the last year. The numbers who go to concerts and plays are smaller, but when asked what kind of event they like to attend outside the home, 34 per cent of Canadians chose the arts while 29 per cent chose sports. That last stat contains a big message for business sponsors who sometimes prefer to lend their names to sporting events because they judge them to be more popular – and more populist.”

Hiding Behind Falsifiability

“Basically, it refers to whether or not a belief can be proven wrong. If I tell you that I weigh 70 pounds, this is a claim that can be easily tested and promptly thrown out by bringing me to a scale — that is, it’s falsifiable. If, on the other hand, I tell you that everything in the universe is controlled by an invisible astral monkey with a million arms, then there’s little you can do to prove, empirically, that this is a zany notion.”

Drones In Popular Culture

“In recent years, not just in novels but in movies, television, poetry, video games and the visual arts, drones have taken on a life of their own. As a character, they are menacing, melancholy or gallant; beastly, blind, snub-nosed, noisy and fast … They show off the military talent of their users, or they are an expression of unbridled hubris. They represent protection or extermination – and they carry out both things at once.”

L.A. Music Center At 50: How It Changed Los Angeles

“Not only had Los Angeles built the nation’s second major modern performing arts center, after New York’s Lincoln Center, we built it our way. And the world noticed. … Fifty years later we can look back and see the extent to which the Music Center shaped Southern California’s cultural identity. It got not only the world to take us more seriously but we began to take ourselves more seriously.”