The Oscars Are Finite, Which Is Why The ‘Selma’ Omissions Matter So Much

“The nominations of the director this time around, and a British actor, David Oyelowo, playing a heroic black figure in the American narrative — not the victim of white oppression, but a corrective to it — would have had particular resonance at this moment. This year is the 50th anniversary of both the Selma marches and the Voting Rights Act. And after months full of tragic news from Ferguson, Mo., Staten Island and all over America, race remains a persistent and complex issue that still has the capacity to divide.”

The Internet Brings All Subcultures To Your Living Room, Where You Can Definitely Be Offended

“There are those who expect that whatever alternative cultures they encounter through social media must comply with their own aesthetic or moral framework. They feel entitled, not just to enter spaces and places where they do not necessarily belong, but also to demand censure and closure if they don’t like what they find there.”

Does Gentrification Actually Even Exist?

Not really. “As for displacement — the most objectionable feature of gentrification — there’s actually very little evidence it happens. In fact, so-called gentrifying neighborhoods appear to experience less displacement than nongentrifying neighborhoods. It’s time to retire the term gentrification altogether.”

Satire Is Firmly Embedded In The Traditions Of Every Culture

“In some of the discussion surrounding the case, there has been an implication that Muslims (and other non-Westerners, for that matter) don’t have the rich satirical tradition found in places like France. That’s not quite true. Satirical traditions may not be the same in France as they are in Iraq or Venezuela. But the mocking of rulers, politicians and pretensions has long had a place in every culture.”

Relationship Between Arts And The Press Is Fraying

“Last month, Opera Australia removed a music critic for the Sydney Morning Herald from its complimentary press ticket list after the company’s artistic director was reportedly “very offended” by a piece on the newspaper’s arts website. This was followed Jan. 2 by a similar “comp” list ban against a critic for the publication Stage Noise. And in New York, a theatrical press agent blacklisted Wall Street Journal writer Joanne Kaufman, after she admitted to “bolting” from Broadway shows during intermission.”