Museums Ban Selfie Sticks

“One by one, museums across the United States have been imposing bans on using selfie sticks for photographs inside galleries (adding them to existing rules on umbrellas, backpacks, tripods and monopods), yet another example of how controlling overcrowding has become part of the museum mission.”

“Outreach And Access” Will Be Conditions For Funding UK Arts Orgs If Labour Wins May Election

Harriet Harman, Labour’s shadow culture minister: “The money that goes into an arts organisation is taxpayers’ money. Outreach and access are not options, they must be part and parcel. … Taxpayers will not be happy to finance something if they think it’s not anything to do with them, especially in hard times.”

Copyright And Copywrong: A New Fair Use Guide Helps You Find The Line Between Them

“Hoping to remedy pervasive and often crippling uncertainty among artists and art professionals over how and when to invoke fair use when dealing with copyrighted materials, the College Art Association (CAA) has released a Code of Best Practices in Fair Use … [which] offers very clear and concise guidelines for artists, scholars, instructors, curators, and editors whose work may involve using others’ artworks.”

Jonathan Katz Talks About The State Of State Arts Agencies

“I know that the arts are a symbol system (we can call it sensory imagery) of equal importance to literacy and numeracy. I know that if you don’t include and resource arts education as you do literacy and numeracy that a large portion of the student population will learn much less of all subject matter, and all students will not learn to their potential. But I don’t know what research substantiates this claim.”

Why Reselling Tickets At An Inflated Value Hurts Us All

“I am a Bollinger Bolshevik, apparently, because I believe I should have a final say in what my tickets cost, in order to manage audience expectation of the work itself, to control perceptions of my own apparent avarice and to make sure that money that is spent on me by punters reflects the cost savings I and the venue have cut corners to make, and the public subsidies the venue may have received, all of which are designed to make entry to the show viable, so that all sorts of people can come along and think I am shit together.”