When Hip Hop Went Corporate

“Back then, part of the excitement within the hip-hop subculture, as it still was at that time, was the dawning realization of the potential for hip-hop marketization,” says Eithne Quinn, a senior lecturer in American Studies at the University of Manchester, in the United Kingdom. “Many artists, from poor backgrounds as they often were, didn’t see this as selling out.”

Worldwide, Universities Are Dying

“From Cape Town to Reykjavik, Sydney to São Paulo, an event as momentous in its own way as the Cuban revolution or the invasion of Iraq is steadily under way: the slow death of the university as a center of humane critique. Universities, which in Britain have an 800-year history, have traditionally been derided as ivory towers, and there was always some truth in the accusation. Yet the distance they established between themselves and society at large could prove enabling as well as disabling.

The Machines Are Coming To Replace Us All

“Machines aren’t used because they perform some tasks that much better than humans, but because, in many cases, they do a “good enough” job while also being cheaper, more predictable and easier to control than quirky, pesky humans. Technology in the workplace is as much about power and control as it is about productivity and efficiency.”

Three Major Cultural Leaders Have Stepped Down In London. They Leave A Legacy Of Achievements

Neil MacGregor at the British Museum, Nicholas Hytner at the National Theatre and Kevin Spacey at the Old Vic Theatre. “As the three men all took up their posts between 2002-4, their incumbencies have overlapped for a decade and all faced a very similar challenge: how to attract larger and broader audiences at a time when, in the case of Hytner and MacGregor, their public funding was diminishing in real terms and, for Spacey, was non-existent.”

Wallace Foundation Makes Major Investment In Building New Audiences For Arts

“The grants announced Wednesday total $10.2 million. They cover a 12- to 22-month “cycle” in which each recipient will conduct research needed to solidify a plan that might involve different kinds of performances, taking shows to different kinds of venues, using different marketing approaches and providing educational add-ons to help audiences connect more deeply with what they’re seeing.”