Kinda Sorta REALLY Creepy – Festival Using Facial Recognition Software To Scan Audience Faces

“Strategically placed cameras will scan faces at the Download Festival site in Donnington before comparing [them] with a database of custody images from across Europe. It is one of the first times it has been trialled outside, normally it is done in a controlled environment. There has been a lot of interest from other festivals and they are saying: ‘If it works, can we borrow it?’”

Has Britain’s National Trust Lost Its Way In The “Visitor Experience”?

This idol now reigns supreme in the NT’s culture: the “visitor experience” of shop, café, loos, car parks and fun for all the family, banishing the dark spectre of “elitism” and making everything ever more “accessible”, has become its religion, superseding a basic respect for the integrity and dignity of what it is charged with conserving and cherishing.

Ford Foundation Re-prioritizes – Will Make All Its Grants To Fight Inequality

“Ford joins a growing number of foundations pouring more money into programs that fight inequality. But its plans to look at every grant to ask how it reduces inequality is a more stringent approach than other foundations have taken. That said, the foundation is taking a broad interpretation of inequality — looking not just at wealth, race, ethnicity, and gender but also access to technology and the arts.”

Cooper Union President And Five Trustees Quit In Bitter Dispute

“Recent controversial decisions — including the board’s announcement last year that Cooper Union would abandon its tuition-free model — and the dismissal of Jamshred Bharucha, who is deeply unpopular with many student and alumni groups and the New York State attorney general, have led to contention and unrest at the New York City college, especially among the leadership ranks.”

USC’s MFA Class Quit Their School. The Reasons They Quit Are Present At Arts Schools Across America

“In fine art, innovation means pushing oneself beyond aesthetic tropes and posing what are often extremely uncomfortable questions. It has nothing to do with innovating the way corporations can use metrics and data to monetize the social behaviors of everyday people. Sure, there are plenty of artists who are cash-hungry, capitalist pigs. But…”