Pandemic Is A Golden Opportunity For Australia’s Big Festivals To Reinvent

With high profiles, comparatively secure government funding and established philanthropic networks, major arts festivals are in a position to make a difference. At one point in Getting Their Acts Together, Adelaide festival’s annual bill is placed at $20m – around four times the amount of money the Australia Council has scraped together for its Covid-19 resilience fund. And after months of cancellations and pushbacks there will be no shortage of compelling shows by Australian artists and companies looking to make up for lost time – and income – in 2021. – The Guardian

An Online Education: Some Essentials Missing

I’ve heard administrators insist that online instruction is just a “change in delivery system,” not a diminution of content. But this bureaucratic bromide wilfully ignores the wisdom of Marshall McLuhan, whose work I often teach. The medium is always the message. You can reduce a seminar to a distortion-addled screen, sure, but that will never substitute for being there. – The Globe and Mail (Canada)

Canadian Government’s Efforts To Help Artists Shows Problems In Defining Artists’ Income

In mitigating the impact of the COVID19 crisis, the federal government swiftly responded with economy-wide measures as part of its immediate relief. It is in this roll out of the Canada Emergency Response Benefit (CERB) and the Canadian Emergency Wage Subsidy (CEWS) that officials discovered the many gaps in addressing the labour force in the arts—the artist. More than the employment of the labour, it was what constituted their income that became the challenge and eluded the fit for an artist. – Georgia Strait

U.S. Copyright Office Says Digital Millennium Copyright Act Should Be ‘Fine-Tuned’

The issue discussed in a report just released by the Copyright Office is the DMCA’s Section 512, which lays out what social media companies and Online Service Providers (e.g., Spotify, YouTube) must do to remove pirated material and police copyright infringement. The Office says that the balance has shifted too far toward the OSPs, leaving creators whose material has been posted without permission to play “whack-a-mole.” – The Hollywood Reporter

Dutch Cultural Institutions Start Reopening Process June 1

“With a list of conditions that will leave most venue operators scratching their heads, venues can reopen on the basis that a maximum of 30 people – including staff – are allowed in at any one time and they remain 1.5 meters apart. A reservation system must also be in place, with no walk-in customers admitted. Venue owners must discuss potential risks with visitors before they enter. The maximum number of visitors to cultural institutions will be increased to 100 in the following stage of the plan from 1 July, if the virus is kept ‘under control’.” – IQ Magazine