Carol Burnett Takes On Gender Discrimination In Comedy (Again)

“I had a terrific and unheard-of contract that said that all I had to do was push the button, and the network would have to give me 30 one-hour variety shows. Yeah. And I told them that that’s what I wanted to do. But they said ‘Carol, no no no no, look. All the comedy variety shows are hosted by men. Sid Caesar, Jackie Gleason, Milton Berle, now Dean; comedy variety is a man’s game.’ Mm-mm. No.”

New York’s Attorney General (*Finally*) Goes After Shady Ticketing Practices By The Biggest Firms Out There

“‘Ticketing is a fixed game,’ Mr. Schneiderman said in a statement. ‘My office will continue to crack down on those who break our laws, prey on ordinary consumers and deny New Yorkers affordable access to the concerts and sporting events they love. This investigation is just the beginning of our efforts.'”

The Massive, And Strange, New Cultural Center That Was The Kirchners’ Parting Gift To Argentina

Housed in the handsome (and enormous) old Buenos Aires central post office, with up to 50 performance spaces, a full modern art museum, a brand-new 1,800-seat concert hall called “the Blue Whale” and resting on concrete pillars, no signs, and way too many staffers, the Centro Cultural Kirchner has divided opinion as sharply as the couple themselves did.

Mattel Introduces ‘Curvy’ Barbie – And Little Girls’ Reactions Show Why We Need One

“‘Hello, I’m a fat person, fat, fat, fat.’ A 6-year-old girl giving voice for the first time to curvy Barbie sings in a testing room at Mattel’s headquarters. Her playmates erupt in laughter. When an adult comes into the room and asks her if she sees a difference between the dolls’ bodies, she modifies her language. ‘This one’s a little chubbier,’ she says.”

Why It’s So Hard To Tell Whether Artists Are Doing Better Than They Were 15 Years Ago

“It’s tempting to interpret the increase in access that technology has provided to aspiring artists of all kinds as an unqualified boon for society. But to the extent that the opportunity to have a public identity as an artist has translated to expectation of public success as an artist, we may be looking at a system that, in the aggregate, punishes people for pursuing their dreams – a creator’s curse of sorts.”