Americans For The Arts’ Statement On Equity – And What It Means?

The attempt to address equity as a large, systemic ecosystem in and of itself, and not zeroing in on a sub-strata of that system (e.g., structural racism, or funding inequities) makes the AFTA statement both a useful tool and starting point for discussion and consideration by individuals and organizations (a good thing), and a simultaneous failure to advance actually doing something as just that much more “talk”, with little emphasis on action – especially action now, not later.

To Boycott Or Not To Boycott? Considering How Artists Should Respond To North Carolina’s House Bill 2

“An established artist in high demand will likely make a much bigger impact by canceling than a lesser-known artist would, so the payoff for the risk is much greater in terms of awareness. And an established artist has more leverage – both with the public and with administrators, agents, and venues – because he can draw on decades of goodwill.”

Arts Orgs And Artists Help Flint, Mich. Deal With Its Water Crisis

“From documentaries to spoken-word performances, from urban revitalization actions to conventional gallery shows, they serve diverse ends that include raising political awareness, assuaging grief, anticipating long-term educational needs, and encouraging the resumption, as much as possible, of everyday life. Because normalcy, even when it’s far from easy, is a way of coping with crisis.”

In An Ongoing Legal Battle, Netflix Denied The Right To Stream Two Movies

“The ruling could bring either an appeal (the judge has already refused a Netflix bid for a stay) or some other bold move by Netflix that cuts against Wiles’ decision. Before the ruling was announced, Netflix filed additional papers that asserted that the bankruptcy court lacked constitutional authority to compel Netflix into amendments to its agreements.”

Dublin Is Losing Its Artists. Here’s Why

“Dublin is again renewing a chronic pattern of hemorrhaging its artists. Many of Irelands most important artists – Dorothy Cross, Alice Maher, or James Coleman – have born the brunt of the Dublin property market, lost their studios, and subsequently moved out. Very few established artists remain here. And right now the sense is that, just as my own generation are attempting to consolidate firm working arrangements in the city, we are being forced out too.”