How Do The Arts Make A More Appealing Case For Funding To Philanthropists?

It is this notion of competition that has preoccupied the case for the arts for much of the past ten years, leading to a greater focus on impact and evidence of outcomes than ever before. And while the resulting improvements in measurement and evaluation are in many regards enhancing the offer the sector makes, it is an argument we can never win and which in fact misses the point.

Turin’s Big New Tate Modern-Style Arts Complex Set To Open With William Kentridge And Tino Sehgal

“After Berlin’s Hamburger Bahnhof and London’s Tate Modern, the trend for converting industrial buildings into contemporary art spaces looks set to continue in the northern Italian city of Turin. The Officine Grandi Riparazioni (OGR), an H-shaped complex of 19th-century railway repair workshops covering an area of 35,000 sq. m, is due to reopen as a privately funded ‘arts and innovation centre’ on 30 September with a trio of site-specific artists’ commissions and two weeks of free concerts.”

Report: Creative Industry Jobs Are Fastest-Growing Sector In The UK

“The latest employment statistics from the Department for Digital, Culture, Media and Sport found that almost two million people worked in the creative industries in 2016, a 5% increase on the previous year. Across the UK, employment grew by 1.2% year on year. The overall number of creative industries employees has grown from 1.5 million in 2011 to 1.9 million in 2016, now making up 6% of all UK jobs.”

Eric Booth: Here’s What Democratization Of The Arts Really Means

“For a very long time, the criteria for excellence in the arts have been owned by a particular body of experts who generally have a condescending view of the quality of art developed in community-based and social change programs and projects. These credentialed “experts” hold to a definition of quality largely based in an “art for art’s sake” paradigm. However, this definition loses the connection with the vast majority of people who live in the country, as well as the vast range of arts that is produced here and the range of reasons for which people make art. Art is for many sakes, including but not limited to art’s sake (whatever that restriction means in practice).”

Not With A Pop, But With A Hiss, The Higher-Education Price Bubble Is Deflating

Derek Thompson: “Altogether, the numbers paint a clear picture: The higher-education market is not bursting, like a popped soap bubble; but it is leaking, like a pierced balloon. What’s going on? The explanation is a little bit of weak demand, a little bit of over-supply, a big crackdown on for-profit colleges, and, perhaps, a subtle shift in culture.”