“San Francisco is now bohemian in name only. Anger and the anarchist’s persona have given way, under the weight of postmodernism, to politesse and pragmatism. And now more than ever the artist’s world is less in the hands of artists than arts administrators and boards. The new conviction is in negotiation and community building, and seeing everyone, regardless of occupation, on the same continuum of creativity.”
Category: issues
Ghost Ship Fire Defendants Plead Not Guilty To Manslaughter
Derick Almena, 47, the lead tenant of the Oakland warehouse and leader of its jury-rigging into an artists’ live-work complex, and Max Harris, 27, creative director of the complex and organizer of the party last December where the deadly fire broke out, face 36 counts of involuntary manslaughter. They were arrested in June and remain in jail, with bail at $750,000.
Ghost Ship Warehouse Owner Avoids Criminal Charges, Gets $3.1M Insurance Payout
“Claims Adjusting Group has reserved $3.1 million to pay Chor Ng, who owns the [Oakland] Fruitvale District warehouse and adjacent properties, to cover her basic property loss and liability policy. … However, Ng’s $6 million liability insurance maximum will likely never make its way to the dozens of victims suing her and other agencies for the deadly fire, one insurance expert says.”
Supreme Court To Decide If US Terrorism Victims Can Have Antiquities From Iran Seized As Compensation
The plaintiffs were injured in a 1997 attack by Hamas in Jerusalem and received a federal court ruling that the government of Iran, as a funder of Hamas, was liable for their injuries. In 2003, plaintiffs won a $71 million default judgment against Iran (which refused to participate in the case), and they tried to have seized Persian antiquities on loan to several US museums, including the Oriental Institute of the University of Chicago. As Martha Lufkin reports, the case now turns on the terrorism exception in sovereign-immunity law and on what qualifies as “commercial activity.”
Report: Arts Organizations Are Experimenting Less With Digital
More arts organisations are using the internet and digital technology for revenue generation – such as by selling tickets online or accepting donations – and they are increasingly using technology to enhance audience engagement. But overall they are engaging in fewer ‘digital activities’.
Music, Dance, And Drama Can All Help People With Dementia: Study
“More than 200 residents at the [involved] care homes benefited from the study, which integrated creative workshops into its dementia care for a six-month trial period. All participating homes have since introduced the workshops to the list of activities full time. The benefits included a positive impact on mental health, improved self-esteem and self-confidence, as well as improved cognitive ability and memory recall from the musical activities.”
The Race To “Reinvent” Paris
Deputy Mayor Jean‑Louis Missika: “The role of the city is changing. Thus far, Paris has been pursuing its architectural interests through public buildings, such as libraries, museums, and schools. As for other buildings and property suitable for revitalization, it was mostly about maximizing profit. In this competition, it is the most inventive and truly innovative project that wins.”
WESTAF Survey: Many States Have No Organizations Advocating For The Arts
“Nearly a third of the states had virtually no functioning general arts advocacy organization. An additional 15% had a barely functioning organization. That’s nearly half of all states with only minimal assets and resources to carry on the important work of arts advocacy – at the federal, state and local levels. This is a major issue for the field, and has been percolating for quite some time.”
Report: Scotland Making Progress In Broadening Its Arts Audiences
The gap in attendance between adults living in the 20% most deprived areas and the 20% least deprived has fallen to its lowest in five years, to 15 percentage points – down from 18 percentage points in 2012, and 21 percentage points in 2014.
Curators Trying To Collect History As It Happens Are Pretty Busy These Days
For instance, after the nightclub shooting in Orlando, a curator and her staff “drove a van through the streets in the weeks after the shooting, collecting drawings, cards and other objects from impromptu memorials, and putting up signs explaining that the tributes were being taken to a museum. Later, when the crime scene investigators were finished, she returned and persuaded the owner of the nightclub to let her have for the collection a bullet-riddled door from the bathroom and a cabinet where people had hidden.”
