At The Kennedy Center Honors, No Stand-In For An Absent President

The absence of the president in the president’s box “is notable for several reasons. The gala is a fundraising event for the national arts center, and having a sitting president in attendance is a significant draw. In addition, the lasting image of the annually televised event features the first couple seated alongside the smiling honorees. This year’s celebration of the performing arts will air at 9 p.m on Dec. 26 on CBS.”

Radio Host Who Rather Suddenly Left Show Accused Of Harassment By Many Former Colleagues

The Takeaway’s John Hockenberry had many complaints against him from his co-hosts, women of color who were eventually forced off the show by his behavior, which the station (WNYC) protected. But there’s more: “There were unwelcome sexual overtures, physical and verbal, directed at the younger women who worked on the show as low- to mid-level producers, assistants, and interns. For the most part, these women did not report their experiences to WNYC management for fear of endangering their jobs. The second group of grievances came from the women of color who served as Hockenberry’s co-hosts — The Takeaway was explicitly founded, in 2008, to bring more diverse voices to public radio.”

Why Does The Art Of Criticism Seem So Far Removed From The Judgments Everyone Makes Daily?

What is it that makes the artfulness of critical writing illegible to so many? Why do so many self-identified artists imagine that the creative practice of critical writing is so far removed from their own? The cliché “everyone’s a critic” is a truism. There is criticism — judgment — implicit in every decision we make.

Arts Organizations Are Being Priced Out Of The Bay Area. Here’s How Some Are Trying To Help

The model in question finds CAST working with real estate developers, city government, local arts commissions and other stakeholders to help arts nonprofits navigate an out-of-control real estate market. Solutions include acquiring properties for lease/buyback by arts organizations, master leasing to sustain affordable rents, and building the capacity of nonprofits to afford them a permanent asset without jeopardizing their core operations.

Boston Globe Ends Use Of Freelance Critics

“Think about it for a moment. Will there ever be an editorial fiat decreeing one person write all of the newspaper’s political commentary? A demand from the newspaper’s publisher (and Red Sox owner) John Henry that the Globe’s sports chat be limited to the speculations of one man or woman? Somehow, when it comes to the stage, and to the arts in general for that matter, decades of tradition are being obliterated as if there was no reason for criticism in the first place. Why?”

Criticism In The Age Of Crowdsourced Opinion

“The predominance of singular authority has diminished. Wikipedia has replaced Encyclopedia Britannica. With rising healthcare costs, many only consult a doctor after they’ve tried to diagnose and treat themselves via WebMD. And when we have a question, all we need to do is ask the Facebook hive mind. For better or worse, technology has given everyone the opportunity to amplify their own voice, and even the most powerful individual will not be able to compete with the shouting of the masses. This will elevate some voices and diminish others, while forcing us all to better discern who we will trust.”

The Nationally-Known Arts Education Center That Nearly Collapsed After Its Founder Moved On

“A Reason To Survive, or ARTS, a nonprofit youth arts education center in National City, was close to being shuttered after its founder and CEO Matt D’Arrigo left his post in June. ‘It’s the classic tale of a founder transition,’ said D’Arrigo, who’s back at ARTS as a part-time consultant until the nonprofit is on stabler ground. ‘But it’s not fully closed, they’ve just scaled operations way back.'”

Ticket Resellers In UK Are Flouting The Law, Say Investigators

“At the moment, secondary ticketing sites are required to tell customers whether there are restrictions on using a resold ticket, such as the need for photo identification. They must also make clear exactly where the customer will be seated in the venue and who the customer is buying the ticket from, whether an individual or a business. Due to the large amount of evidence gathered, the [Competition and Markets Authority] has now broadened the scope of its investigation.”