‘Game Of Thrones’ Tourists Are Devouring Dubrovnik

“Since 2011, when the show first premiered on HBO, tourism in Dubrovnik has seen an increase of 9 to 12 percent annually” – with numbers up to 10,000 or more a day, over 1 million a year in a town of 43,000 people. “While the show’s notoriety is good news for Dubrovnik’s economy, 80 percent of which relies on tourism, UNESCO has warned that Old Town Dubrovnik, a World Heritage Site, cannot accommodate this crush of newcomers. Some residents have had enough, too.”

Chatelet Artistic Director Ruth McKenzie On Producing Culture For A City (Or An Olympics)

“The thing that’s frustrating about doing the Olympics is that you get to the end and then you understand what you should have done. When you’re running a theatre or an opera house or a festival, you can learn from your mistakes. You get to the end of London 2012 and think, ‘Damn, I’m never going to get a chance to apply this wisdom that I have now acquired.”

Is Culture In The Americas In Big Trouble?

That was the title of a panel discussion at Art Basel Miami Beach that “included artist Jordan Casteel, Brooklyn Museum director Anne Pasternak, Contemporary Arts Museum Houston director Bill Arning, and writer and photographer Teju Cole. While there weren’t many concrete solutions drawn, the conversation offered a clear diagnosis of the key issues facing art and culture and, at the very least, a starting point for how we can understand and address them going forward.

Since Brexit Europeans Have Felt Less And Less Welcome In The UK

It started with little things. “This is England, speak English,” said one woman to Agnieszka as she was speaking Polish with her children. “Go back to your own country,” Diana was told in school. Then, this spring, her neighbor mounted the first of the cameras on the wall and said: “I’m going to take care of this damn Polish problem!” After several instances of intimidation, Agnzieszka called the police. She was told: “If you don’t like the cameras, maybe you should move away.”

How America Used Art As A Weapon In The Cold War

“After World War II, the CIA’s strategy in Europe was to strengthen intellectual elites who supported socialist policies but not Communism, who they termed the non-communist left. Doing so without having those actions traced back to the US, however, was challenging. The CCF was one solution: its director Michael Josselson proposed that strengthening the non-communist left should be done through cultural organizations rather than straight-out political ones.”

The Problem With The Idea Of Cultural Appropriation

So, what is cultural appropriation and why has it become such a contentious issue? Susan Scafidi, professor of law at Fordham University, defines it as ‘taking intellectual property, traditional knowledge, cultural expressions, or artefacts from someone else’s culture without permission’. This can include the ‘unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.’ But what is it for knowledge or expression or a cuisine to ‘belong’ to a culture? And who gives permission for someone from another culture to use such knowledge or forms?

So You’re An Arts Philanthropist. Where Should You Invest?

“To be a philanthropist, whether the money is yours or simply has been entrusted to you, is a remarkable privilege in every sense of the word. The world is probably never going to see the day when literally everyone seeking to make the world a better place through the arts does so strategically and wholly without regard to self-interest. But the more we can nudge individuals, organizations, and actions in that direction, the more meaningful all of our work will become.”