“Organizations of all sizes have been caught off guard by the #MeToo movement. But small organizations can be at an extra disadvantage because they often lack the resources of larger groups. When a sexual harassment accusation gets made at a smaller company, it can become a community-wide problem. When something happens in your neighborhood, it feels different than it does when it happens in New York City.”
Category: issues
After All The Digital Theory, A Return To Making Real, Physical Art
Many of them, after having been exposed to the high-tech side of what a well-equipped institution has to offer, change direction to embrace a more hands-on, traditional way of making and ultimately learning. These students, after graduating, end up being builders of things — and not very interested in creating objects without having some physical input into its creation. After all the design philosophy and all the classes that teach design theories, this group ends up doing what attracted them in the first place to an art and design university — the making of things.
Is UNESCO World Heritage Status A Kiss Of Death For Sites In Developing Countries?
Looking at Angkor Wat in Cambodia, Luang Prabang in Laos, and the Vietnamese town of Hoi An (whose historic buildings and streetscape miraculously survived the 20th-century wars), art and cultural management professor Jo Caust argues that the mass tourism that comes with the coveted World Heritage designation can turn such places into theme parks and suggests some steps that should be taken to mitigate that danger.
Chief Of Scotland’s Arts Funder Is Out After No-Good-Very-Bad-Year
“Janet Archer, the chief executive of Creative Scotland, has resigned from her post” – effective immediately (and with six months’ severance pay) – “after a turbulent six months following uproar in the cultural world over its long-term funding decisions.”
Arts Festival Initiatives In America’s Heartland
Kansas City’s biennial is not the only major initiative to debut this summer in the American Midwest. Front International, a triennial in Cleveland, Ohio, also aims to draw attention to the under-represented art scene in the US’s Heartland. The region is a vague geography defined more by a state of mind: proudly homegrown but overshadowed by the rich coastal cities.
As Arts Philanthropy Pivots To Addressing Social Issues, How Do Big, Lumbering Legacy Organizations Keep Up?
Mike Scutari considers the issues involved in general and looks at how one particular old behemoth, the Metropolitan Museum of Art, is working with a charitable trust on a residency program for artists in such underserved New York communities as East Harlem and Bedford-Stuyvesant.
Survey Suggests Pro-Brexit Voters Do Not Engage With Arts
“It’s not just that there’s a relationship between engagement in the arts and voting Remain at the area level: it looks like it’s particularly about attending cultural institutions, which must come as a challenge to the institutions themselves.”
How Is It We Acquire A Taste For Something?
Whatever the answer to this question, the phenomenon is rife. Children are unlikely to appreciate a sip of beer. Yet a decade later they may relish the evening’s first pint. Somewhere between childhood and adulthood, they have acquired the beer-taste. Taste acquisition does not stop at beer and blizzards: consider coffee and classical music, olives and oysters.
Sports And Pop Music Make Fortunes From Merchandise Sales. Why Not The Arts?
Merchandising? Virtually non existent but for a few big museum gift shops that contribute something to the bottom line. Many organizations make a half hearted attempt to sell shirts or calendars with the organization or artist logo at live performances, but it is an anemic exercise at best.
How The UK Government Proposes To Treat Culture Post-Brexit
The UK, it states, will always be a country that “advocates cultural diversity as part of its global identity and is committed to ensuring its support of European culture”. It proposes a “culture and education accord” that provides for UK participation in EU programmes and “allows UK institutions to be partners, associates or advisers” to EU projects and vice versa.