Overnight Reviews Are Largely A Thing Of The Past. Is It A Good Thing?

Is a review dashed out in an hour really going to be as good as one written under a more generous deadline? Sometimes, maybe: I know some critics who think British deadlines are the enemy of decent reviews, but they can underestimate the quality that can be mustered with the adrenaline pumping. Nonetheless, there is something obviously counterintuitive about the idea that the more important the review, the less time will be spent on it. – The Stage

Another Casualty Of Government Shutdown: Smithsonian’s Folklife Festival

“The Smithsonian Institution has canceled this summer’s 10-day Folklife Festival celebrating the music and culture of Benin and Brazil and will replace it with a smaller event.” Instead, “[there] will be a two-day event, June 29 and 30, focused on the ‘Social Power of Music,’ in keeping with the Smithsonian-wide 2019 Year of Music theme.” – The Washington Post

A Sociologist Explores Explanations For Why Art By Men Gets Higher Prices Than Art By Women

“Who and what defines art and quality, which institutions matter and how they are accessed, who knows whom, whether advantage is accumulated from a prejudiced past, and where conscious and subconscious biases of culture interrupt economic valuation—these are the questions that sociologists ask to explain greatness. It is not a denial of quality, talent, innovation, or genius, but a way to contextualize them.” – Artsy

CEO Of Cartier: The Arts Define Who We Are

“Whether it is photography, painting, sculpture, or design, the arts define who we are at Cartier. Some of our creations were directly linked to the aesthetics of the Mughal period in India with Cartier looking less to local jewelry and more to miniature paintings. Also, geometric shapes found in Islamic Art inspired the designs of some of our accessories and the ornamental “guilloché” patterns in our watches. Art motifs enter Cartier’s vocabulary and then we use them in intuitive ways, on products without a logo or in the architecture of our booths or boutiques, so that our clients feel they are walking into Cartier’s universe.” – Artnet

What Brings Wounded Cities Back To Life? Culture, Says World Bank Report

“Investing in cultural institutions, spaces, and heritage can help build bridges between sparring communities in post-conflict urban areas and make disaster recovery quick, sustainable, and more effective. The authors argue that major cultural investments early in the reconstruction process will eventually pay off by making the city more attractive to investment and tourism, fueling economic growth.” Exhibit A: Medellín, once the most violent city in the world. – CityLab

Adding Up What The Government Shutdown Cost Museums

“In that time, the Smithsonian — 19 museums including the Cooper Hewitt design museum in New York and the National Portrait Gallery (NPG) and National Museum of African American History and Culture in Washington, DC, along with the National Zoo — lost an estimated 1 million visitors. … Although national museums (except the Cooper Hewitt) offer free entry, the Smithsonian lost an estimated $3.4m in gross revenue from its gift shops, concessions and IMAX film screenings.” – The Art Newspaper

Our Academics Are Trapped In Academia. Can You Help?

On every campus, I meet scholars eager to share what they know outside the walls of their institutions. They find themselves stalled by three factors: lack of knowledge on how media works as an industry, fear of being scorned by their colleagues, and the realization that, in the chase for tenure or promotion, such public work rarely counts toward academic credibility or formal metrics. – Pacific Standard