A Bare-Bones Art Repatriation

“The Canadian Museum of Civilization is preparing to return dozens — perhaps hundreds — of bones taken from native burial grounds to the Algonquin people whose ancestors inhabited the Ottawa area before white settlers arrived in the 19th century and began unearthing Indian graves. The proposed ‘repatriation’ of human remains… follows a series of [Ottawa] Citizen stories earlier this year revealing that a communal cemetery holding about 20 aboriginal skeletons was dug up 160 years ago on a point of land in Gatineau now occupied by the museum itself.”

Toronto’s Unfinished Business

The local and provincial governments serving Toronto have finally agreed to allocate a significant bit of cash for a grandiose set of architectural and cultural plans which aim to revitalize Canada’s largest city. But even as art lovers rejoice over the influx of public money, observers are quietly noting that the government’s CAN$232 million is a drop in the bucket compared with what’s needed to stabilize the city’s major cultural players. From the National Ballet to the Canadian Opera Company, Toronto’s arts groups are still in need of nearly half a billion dollars of additional investment.

Thwarting The Artistic Inmate

The Australia Arts Council awarded $26,000 to inmates of a regional prison to perform an opera and cabaret. But the state’s justice minister, who found out about the grant after it was made, says he’ll have the money returned, saying “the money would be better spent on victim support services, or programmes aimed at reducing re-offending.”

Why The Performing Arts Are In Danger

Kennedy Center president Michael Kaiser warns that the performing arts are in danger, and issues a five-point call to action. “We have been scared into thinking small. And small thinking begets smaller revenue that begets even smaller institutions and reduced public excitement and involvement. No wonder so many arts organizations are announcing record deficits.”

WTC – Think Art & Culture, Not Offices

While most of the architects imagining new structures for the World Trade Center site focused on office space, one suggests culture as the driving idea. “The mission of reconstructing the skyline is one that is proposed at a cultural level. Should we reconstruct it with the offices of Merrill Lynch? We don’t think so. The need is a cultural need. Almost in the same way, the Eiffel Tower became the symbol of Paris, and it is an empty building. This is an empty building.”