Category: issues

Last year it was state governments that slashed arts funding. This year it’s cities. Philadelphia, Los Angeles, New York… all are looking at cutting cultural funding as hey struggle to balance budgets.

After years of debate, finally a plan for a Lincoln Center makeover that works. “What we’ve got here is the inverse of the Wow Factor: a new plan for the center’s public spaces so understated as to seem almost uncanny. It looks just like Lincoln Center, only smarter, more self-aware and amazingly confident in its sense of direction. The plan is evolutionary. It tweaks, here and there, the existing architecture of Lincoln Center, but the overall effect is to enhance the original rather than to negate or override it. It’s respectful. This seems to me an invaluable civic lesson at this intemperate moment in our national life.”

The city of Ventura, California has become so expensive to live in that artists moved out. So “last week, the city gave Minneapolis-based Artspace Projects Inc. $400,000 to begin work on a plan to provide homes and studios to at least 25 artists and their families. The company, which specializes in carving airy lofts out of abandoned industrial buildings, aims to raise at least $10 million, mostly from state and federal agencies and private foundations.”

The US Department of Justice is cracking down on pornography. The DoJ plans to “prosecute those producing and distributing obscene material. ‘Nothing will be off-limits as far as content goes. We’ll do everything we can to deter this conduct.’ But that may be difficult. “More than 11,000 adult films are released annually in the US and there are 800 million DVD and video rentals of adult movies each year, according to the trade association Adult Video News.”

Denver’s major cultural institutions are in the midst of a building boom. But several of those institutions are in a hunt for new top leadership. And that means…

The post-9/11 focus on national security and the weakened U.S. economy has famously cost arts groups millions of dollars in local, state, and federal funding over the last few years, but in some cities, the arts are starting to rise again. In Indianapolis, where funding cuts hit hard, the city’s Arts Council will see its budget rise this year, despite flat levels of government funding. Contributions from foundations and the private sector are up, and there is reason to believe that local officials are beginning to buy into the notion that money pumped into the arts is returned to the local economy in measurable ways.

“A two-month US tour by the 15-piece Cuban jazz-pop band Cubanismo! has been canceled because its members were denied visas to enter the United States. The group had planned a 43-show, 34-city itinerary… Cubanismo!, made up of musicians from various Cuban bands, has played in the United States several times over the last decade, including last year.” The Justice Department has offered no explanation for the refusal to grant visas.

National Endowment for the Arts chairman Dana Gioia presented the Bush administration’s request for a 15 percent budget increase to Congress. “The need for national arts leadership has never been more critical. There is presently a national crisis in state, local, and private arts funding across the United States. Budget cutbacks are nearly universal, and the majority of institutions in most arts fields are currently operating at a deficit with numerous bankruptcies, even among established organizations. Our appropriations — 40% of which are directly allocated to state arts agencies and regional organizations — provide much needed stability in this challenging environment.”

Frank Bruni has been named the New York Times new restaurant critic. “Mr. Bruni, 39, joined The Times in 1995 as a reporter for The Metro Section before becoming a national correspondent, first in San Francisco and then in Washington. He covered the presidential campaign of George W. Bush and the first eight months of the Bush administration, and went to the Rome bureau in 2002.”

The position of restaurant critic, is one fraught with danger. Since William Grimes left the job at the New York Times, the paper has used interim critics, but the restaurant industry is angry at the results. “Mr. Grimes wasn’t exactly beloved by the city’s restaurant industry—many considered him sensationalist, too transfixed by his fine-tuned prose to appreciate or even understand the joys of the table—but now his controversial tenure seems like the good old days.”