The Scale Of Being Successful

“in an age where markets are more and more fragmented, the notion of a mainstream seems quaint and outmoded. In fact, the notion of seven million people doing the exact same thing feels almost nostalgic. Remember when Elvis had 50 million fans who couldn’t be wrong? But even having that many fans has its limits in the market place.”

Celebrating The You-Had-To-Be-There Experience

Performa 07 is New York’s 20-day biennial of performance art. It’s “a celebration of transience, a paean to you-had-to-be-there, a deep and exhilarating bow to we-have-only-now. Conditions for burning are right: a market clogged with knickknacks and cash. How appropriate, then, that so many pieces pay particular attention to the intersection between performance art and dance.”

Why Do We Fund What We Do In The Arts?

“The Sydney Symphony receives nearly $9 million each year. That is more funding than goes to all of Australia’s visual artists, or all of the nation’s writers and publishers, or all the dancers, or all the Aboriginal and Torres Strait Islander artists, or all the community art practitioners. My problem is not that we still fund classical European culture, it’s just that we fund so bloody much of it and so very little of everything else.”