Logic Is Not Neutral (Contrary To Popular Belief)

Many laypeople, and more than a few logicians, consider logic “an umpire, a neutral arbitrator between opposing theories, imposing some basic rules on all sides in a dispute. The picture is that logic has no substantive content, for otherwise the correctness of that content could itself be debated, which would impugn the neutrality of logic.” Oxford philosopher Timothy Williamson explains why this is – illogical.

Regifting Is Officially OK (Research Says So!)

“Regifting is often presented as synonymous with tackiness, but the taboo on the practice is partly the result of a misunderstanding: Recipients of gifts think the givers are far more offended by regifting than they truly are. Givers assume that they’ve passed on ‘title’ to the gift and that recipients can do what they wish with it. Receivers, meanwhile, feel constrained by the giver’s original wishes.”

The English Civil War (About Language) – Descriptivists Vs. Prescriptivists

“For a long time, many English speakers have felt that the language was going to the dogs. All around them, people were talking about ‘parameters’ and ‘life styles,’ saying ‘disinterested’ when they meant ‘uninterested,’ ‘fulsome’ when they meant ‘full.’ … To others, the complainers were fogies and snobs. The usages they objected to were cause not for grief but for celebration. They were pulsings of our linguistic lifeblood, proof that English was large, contained multitudes.”

Even Nihilism Ain’t What It Used To Be

“One-hundred-and-fifty years ago, nihilism was born. Its midwife was the Russian novelist Ivan Turgenev, whose greatest work, Fathers and Sons, appeared in the spring of 1862 and heaved the immense figure of Yevgeny Bazarov into the world. Doctor by vocation and nihilist by avocation, Bazarov today would scarcely recognize what has become of the philosophy he launched. Nihilism is not what it once was and we are marking the most meaningless of anniversaries.”

Is America Getting Too Old To Continue To Be Creative?

“One of the constants of human history is that the creation of great art is dominated by the young–the median age of peak accomplishment is forty–and the milieu in which great art is created is surely facilitated by energy, freshness of outlook, optimism, and a sense of open-ended possibilities. We must assume that all of these will be in shorter supply than in the past now that our society is increasingly populated by the old.”