How To Fix Risk-Averse Arts Institutions

From a Portland playwright and grantwriter: “Consider just doing a show when you’re ready and not forcing yourself to program a whole season. Consider strategic partnerships. Consider not becoming a nonprofit and being an LLC instead. Consider the difference between what you want and what you need. (Do you WANT your own building, or do you NEED your own building?) Consider what you’re spending money on. Invest in people first, stuff second.”

The Rise Of The Private Press, And What That Means For The Public

“While political news is everywhere, coverage of the day-to-day inner workings of government—the slow, steady development of policy in Congress, in the administration, and in the independent regulatory agencies, and how those policies are implemented—has become increasingly scarce in the media that average citizens historically have relied upon. The opposite, however, is true of the ‘paywall press.'”

Ethical Dispute Or Cultural Difference? Figuring Out ‘Moral Relativism’

“Because the term ‘moral relativism’ is closely associated with this subjectivist picture of morality, it elicits understandable hostility. How can we earnestly hold our moral commitments if we give up on the aspiration to objectivity regarding morals, to getting them right rather than wrong? I think there is another way to understand what moral relativism involves, which does not require us to give up our aspiration to objectivity. Let me use an example.”

3-D Printers Are Going To Revolutionize Pretty Much Everything

“If we’re going to use physical ‘documents’ the way we use paper ones—glancing at them for an hour, or perhaps only a moment, then tossing them aside—we’ll need printing material to be recyclable, even biodegradable. Imagine the 3-D printing equivalent of a Post-it note! What’s more, we need our intellectual culture to evolve. Right now, we don’t value or teach spatial reasoning enough; “literacy” generally only means writing and reading.”

The Arts In Britain: Survey Says They’re Still Male, Still White, Still Middle-Class

“The survey reinforced the recent findings of the Warwick Commission, which found that arts and culture was being ‘systematically removed’ from the state education system, and that arts audiences were predominantly white and middle class. Both factors were contributing to the creative sector becoming a closed shop, particularly to those from black, asian and ethnic minorities (BAME) and less affluent backgrounds.”