Why “Useful” Information Is Crowding Out The Contemplative Humanities

Ross Douthat: “The problem is the one that Auden identified seventy years ago: In an Apollonian culture, eager for “Useful Knowledge” and technical mastery and increasingly indifferent to memory and allergic to tradition, the poet and the novelist and the theologian struggle to find an official justification for their arts. And both the turn toward radical politics and the turn toward high theory are attempts by humanists in the academy to supply that justification — to rebrand the humanities as the seat of social justice and a font of political reform, or to assume a pseudoscientific mantle that lets academics claim to be interrogating literature with the rigor and precision of a lab tech doing dissection.”

The Notion That Information Is Free Is A Dangerous One

There’s always been fake news but what’s different this time is that you can tailor the story to particular individuals, because you know the prejudice of this particular individual. The more people believe in free will, that their feelings represent some mystical spiritual capacity, the easier it is to manipulate them, because they won’t think that their feelings are being produced and manipulated by some external system.

The Cognitive Biases We All Have That Lead Us Astray

When people hear the word bias, many if not most will think of either racial prejudice or news organizations that slant their coverage to favor one political position over another. Present bias, by contrast, is an example of cognitive bias—the collection of faulty ways of thinking that is apparently hardwired into the human brain. The collection is large.

Our Public Intellectual Problem? Public Intellectuals Don’t Know Who The “Public” Is

When these brilliant people contemplated writing for the “public,” it seemed they merrily left difficulty at home, leapt into colloquial language with both feet, added unnatural (and frankly unfunny) jokes, talked about TV, took on a tone chummy and unctuous. They dumbed down, in short—even with the most innocent intentions. The public, even the “general reader,” seemed to mean someone less adept, ingenious, and critical than themselves. Writing for the public awakened the slang of mass media. The public signified fun, frothy, friendly.

Why Read Horror When The World Is So Horrifying On Its Own?

The world is horrible, but horror books and horror movies give us examples of people who fight back against the horror, and sometimes win: “The banal evils of the world — children shot, neighbors exiled, selves reframed in an instant as inhuman threats — these are horrible, but they aren’t horror. Horror promises that the plot arc will fall after it rises. Horror spins everyday evil to show its fantastical face, literalizing its corroded heart into something more dramatic, something easier to imagine facing down. Horror helps us name the original sins out of which horrible things are born.”

What You Should, And Should Definitely Not, Do At Your Local Library

Recataloging a book is a bad plan: “One time a guy did this with an InterLibrary Loan book he’d checked out. He sent an email to me about it and also one to the lending library. In that email he included a picture of the new ‘tag’ he’d applied to the spine, in which he’d written the call number with a fine-point sharpie. Don’t fucking do this. We went to school for it; you didn’t.”