What It’s Like For American Dancers To Study Ballet In Cuba

Sofia Castán Vargas, a 16-year-old San Diegan/Tijuana now enrolled at the Alonso Cuban National Ballet School, and Catherine Conley, a 20-year-old alumna who stayed on to become a corps member in the Cuban National Ballet, talk about the challenges a student from the U.S. wull face and the particular qualities of Cuban training that drew them there. — Pointe Magazine

Can We Talk Openly About How Hard It Is To Keep An Independent Dance Company Running?

Ryan P. Casey: “I know I’m not the only company director to have funded gigs with my personal savings, spent thousands of dollars on largely unsuccessful APAP showings, received rejections for grant applications that took hours to complete, or lost money on events I produced. But watching ensembles such as Trey McIntyre Project, Cedar Lake Contemporary Ballet and now Jessica Lang Dance announce their final bows in recent years has made it clear that we’re all waging similar battles, and they’re not going to be won alone.” — Dance Magazine

As ‘The Nutcracker’ Plays Everywhere, One Dancer Says It’s Time To Eliminate Bias, And Yellowface, In The Ballet World

Dancers who are Asian and Asian American have had it with stereotypes in ballet, including (perhaps especially in) The Nutcracker. But they’re doing more than bringing their concerns to companies – they’re creating resources: “Final Bow For Yellowface is an online platform dedicated to educating companies and schools on how to veer away from offensive Asian stereotypes (yellowface).”

24 Hours, Three Cities, 75 Dancers, 300 Solos, All Streamed Live: Merce Cunningham’s 100th Birthday

“‘Night of 100 Solos: A Centennial Event’ will take place on what would have been Cunningham’s 100th birthday, 16 April 2019. The three productions, each lasting 75 minutes, will be live-streamed, which means audiences around the world can see the Barbican performance [in London], followed by one a few hours later at Brooklyn Academy of Music in New York, and finally one at UCLA’s Centre for the Art of Performance in Los Angeles.”

How Do You Create Site-Specific Dance For The Madhouse That Is Times Square?

The Times Square Alliance and Danspace Project collaborated “to create a program of original works in Times Square this fall that reference the history and experience of the place. An estimated 33,000 people passed through the area each day during the four-hour program — most just happening upon it. What they saw was unique even for Times Square.”