BOSTON BALLET, LOOKING GOOD

The poor, beat up and beaten-upon Boston Ballet may be coming back strong. The “program that opened last night had the feeling of a fine, fresh start, a triple bill that was about dancers dancing, which hasn’t always been the case in recent seasons so overloaded with decor and plot that the company’s excellent performers couldn’t shine through. They do in this round.” Boston Globe 10/26/01

THE ROYAL’S NEW ERA

Ross Stretton’s tenure as director of London’s Royal Ballet officially begins. Already there has been some controversy as a star dancer quits the company. Stretton says he wants to make a more welcoming place for choreographers, but warns there will be some turnover in the company’s ranks next year. The Telegraph (UK) 10/23/01

DANCERS ON STRETTON

“Of course there are differences. Ross is a very young man, very active. He teaches class, he coaches, he is in rehearsals. He’s there all the time and you feel his presence constantly. He spends more hours here than we do. And he’s very easy to talk to, he’s very approachable.” The Times (UK) 10/23/01

SO MUCH FOR PRIVILEGED ARTISTS

The Bolshoi’s Maya Plisetskaya was one of the great ballerinas of the 20th Century. “The humiliations she and other artists endured at the hands of government handlers and arts bureaucrats challenge popular notions of the privileged lives of Soviet artists. Always forced to beg — to travel, to prepare new works, to be paid fairly — Plisetskaya and her colleagues more closely resembled Russian serf artists of the 18th century than cultural workers in a modern socialist state.” The New York Times 10/23/01 (one-time registration required for access)

FINANCING THE CHANGE OF LIFE

Scottish Ballet says it may ask for an extra £1 million when it submits its budget plan to the Scottish Arts Council next month. The company, which already receives £2.8 million a year from the Council, wants the money to help transform itself from a traditional company to a modern company, despite heavy criticism. The Scotsman 10/22/01

NE-WAY TICKET TO RIDE

Scottish Ballet management insists on transforming the company from ballet to modern despite overwhelming opposition from all quarters. “The board say there has been consultation but so far the consultation has been very unsatisfactory. The dancers have repeatedly asked for another meeting for the board to explain their decision, but there has been none.” The Scotsman 10/19/01

BALLET WEB CENSORED

Scottish Ballet company members are contractually prohibited from publicly criticizing the company. But the dancers are furious about management’s decisions to turn the company into a modern company, so they started a website with a forum where they discussed their unhappiness. After the company threatened the website managers, saying “that some of the content was defamatory and should be removed,” the offending comments were deleted. The Scotsman 10/17/01.

NEW ABT DIRECTOR

American Ballet Theater has suffered under a series of managerial woes and money woes. Tuesday ABT appointed Wallace Chappell, 60 as its new executive director. Chappell is “the director of the Hancher Auditorium at the University of Iowa since 1986, who has also held ranking staff positions with the Mark Taper Forum in Los Angeles, the Alliance Theater in Atlanta and the Repertory Theater of St. Louis.” The New York Times 10/17/01 (one-time registration required for access)